Search arXivSearch

arXiv · 2310.11364

High-Fidelity Noise Reduction with Differentiable Signal Processing

Abstract

Noise reduction techniques based on deep learning have demonstrated impressive performance in enhancing the overall quality of recorded speech. While these approaches are highly performant, their application in audio engineering can be limited due to a number of factors. These include operation only on speech without support for music, lack of real-time capability, lack of interpretable control parameters, operation at lower sample rates, and a tendency to introduce artifacts. On the other hand, signal processing-based noise reduction algorithms offer fine-grained control and operation on a broad range of content, however, they often require manual operation to achieve the best results. To address the limitations of both approaches, in this work we introduce a method that leverages a signal processing-based denoiser that when combined with a neural network controller, enables fully automatic and high-fidelity noise reduction on both speech and music signals. We evaluate our proposed method with objective metrics and a perceptual listening test. Our evaluation reveals that speech enhancement models can be extended to music, however training the model to remove only stationary noise is critical. Furthermore, our proposed approach achieves performance on par with the deep learning models, while being significantly more efficient and introducing fewer artifacts in some cases. Listening examples are available online at https://tape.it/research/denoiser .

Explore related subjects

Keep this discovery

Explore connections, maps & timelines

BibTeXRIS

Christian J. Steinmetz, Thomas Walther, Joshua D. Reiss. 2023-10-17. High-Fidelity Noise Reduction with Differentiable Signal Processing. https://arxiv.org/abs/2310.11364

Cite the original work for its findings. Save a collection to share your selection of sources.

KEEP EXPLORING

Related papers

MENASpeechBank: A Reference Voice Bank with Persona-Conditioned Multi-Turn Conversations for AudioLLMs

Audio large language models (AudioLLMs) enable instruction following over speech and general audio, but progress is limited by the scarcity of diverse, conversational, and instruction-aligned speech--text data. This gap is particularly pronounced for persona-grounded and dialectal interactions, where collecting real multi-speaker recordings remains costly and slow. We introduce MENASpeechBank, a reference speech bank comprising ~18K high-quality utterances from 124 speakers spanning multiple MENA countries, covering English, Modern Standard Arabic (MSA), and regional Arabic varieties. We develop a controllable data pipeline that (i) constructs persona profiles enriched with World Values Survey (WVS) inspired attributes, (ii) defines a taxonomy driven ~5Kconversational scenarios, (iii) matches personas to scenarios via semantic similarity, (iv) generates ~417K role-play conversations with an LLM where the user speaks as the persona and the assistant behaves as a helpful agent, and (v) produces speaker-conditioned user-turn audio (synthetic) from reference recordings to preserve speaker diversity. We evaluate synthetic and human recorded conversations and provide an analysis. We will make the MENASpeechBank available for the community.(\href{https://huggingface.co/datasets/QCRI/MenaSpeechBank)

cs.SD

A Training-Free Proactive Defense Against Partial Speech Manipulation via Self-Embedding Steganography

Partial deepfake speech, where only limited segments of an utterance are synthesized or manipulated, poses a significant challenge to existing deepfake detection systems. As the proportion of spoofed regions decreases, passive detectors become increasingly unreliable, and accurate detection and restoration remain challenging. In this paper, we revisit audio steganography from a new perspective and propose its use as a proactive defense against partially deepfaked audio. In particular, we consider a self-embedding strategy in which a clean speech signal embeds a compressed representation of itself, enabling post-hoc extraction of reference content. We demonstrate how existing audio steganography methods can be repurposed to support detection of partial deepfakes through codec-based restoration. Experiments on a benchmark dataset show that the proposed approach complements passive defenses. Remarkably, the proposed method operates without any training, providing a robust and data-efficient alternative for partial deepfake detection.

cs.SD

CPR: Combining global composing, local performing and full-sequence refining in piano rendering with continuous autoregressive modelling

Prompt-conditioned piano MIDI-to-Music rendering aims to faithfully render target notes while reproducing the timbre of a reference recording. Existing approaches primarily follow two paradigms: autoregressive (AR) modeling and flow matching (or diffusion). Discrete-codec AR models provide causal temporal modeling, but quantization can discard acoustic detail. Flow matching better preserves acoustic structure in the cost of full-sequence attention costs and worse semantic structure. Continuous autoregressive models operate directly on continuous representations. It not only combines the condition-following ability of AR models and distribution-modeling capacity of flow matching but also bypasses the quantization bottleneck with lower computational costs. Building on this principle, we present Composer--Performer--Refiner (CPR) framework. Composer autoregressively predicts continuous hidden states, Performer generates 24kHz acoustic latents through local flow matching and Refiner then upsamples the waveform to 48 kHz. We further introduce Bottlenecked Representation Alignment (BREPA) and Modality--Time RoPE (MT-RoPE) to strengthen musical semantic structure in Composer hidden states and temporal alignments across modalities. Codes are available at https://github.com/FEAfeatherTHER/CPR_official

cs.SD