Search arXivSearch

arXiv · 2506.18326

Selecting N-lowest scores for training MOS prediction models

Abstract

The automatic speech quality assessment (SQA) has been extensively studied to predict the speech quality without time-consuming questionnaires. Recently, neural-based SQA models have been actively developed for speech samples produced by text-to-speech or voice conversion, with a primary focus on training mean opinion score (MOS) prediction models. The quality of each speech sample may not be consistent across the entire duration, and it remains unclear which segments of the speech receive the primary focus from humans when assigning subjective evaluation for MOS calculation. We hypothesize that when humans rate speech, they tend to assign more weight to low-quality speech segments, and the variance in ratings for each sample is mainly due to accidental assignment of higher scores when overlooking the poor quality speech segments. Motivated by the hypothesis, we analyze the VCC2018 and BVCC datasets. Based on the hypothesis, we propose the more reliable representative value N_low-MOS, the mean of the $N$-lowest opinion scores. Our experiments show that LCC and SRCC improve compared to regular MOS when employing N_low-MOS to MOSNet training. This result suggests that N_low-MOS is a more intrinsic representative value of subjective speech quality and makes MOSNet a better comparator of VC models.

Explore related subjects

Keep this discovery

Explore connections, maps & timelines

BibTeXRIS

Yuto Kondo, Hirokazu Kameoka, Kou Tanaka, Takuhiro Kaneko. 2025-06-23. Selecting N-lowest scores for training MOS prediction models. https://arxiv.org/abs/2506.18326

Cite the original work for its findings. Save a collection to share your selection of sources.

KEEP EXPLORING

Related papers

Text-only adaptation in LLM-based ASR through text denoising

Adapting large language model (LLM)-based automatic speech recognition (ASR) systems to new domains using text-only data is a significant yet underexplored challenge. Standard fine-tuning of the LLM on the target domain text often disrupts the critical alignment between the speech and text modality learned by the projector, degrading performance. We introduce a novel text-only adaptation method that frames this process as a text denoising task. Our approach trains the LLM to recover clean transcripts from noisy inputs. This process effectively adapts the model to a target domain while preserving cross-modal alignment. Our solution is lightweight, requiring no architectural changes or additional parameters. Extensive evaluation on two datasets demonstrates up to 22.1% relative improvement, outperforming recent state-of-the-art text-only adaptation methods.

cs.SD

Discrete vs. Continuous: A Comprehensive Study of Unified Audio Understanding in LALMs

Large Audio Language Models (LALMs) utilize either continuous features or discrete tokens, yet the optimal representation paradigm for general audio understanding remains debated. Existing benchmarks often focus on narrow domains or evaluate encoders outside LALM contexts. To address these gaps, we systematically evaluate continuous and discrete representations across speech, sound and music. Utilizing our UniARC framework with dual evaluation strategies across model scales from SmolLM2-135M to Llama-3-8B, we analyze the dynamic relationships of data volume, model capacity, and computational efficiency. Our results reveal the pivotal role of semantic constraints in tokenization for audio understanding and demonstrate that scaling backbones fail to compensate for information loss in audio representation, especially in data-limited tasks. These findings offer practical guidance for balancing semantic density, fidelity, and efficiency in future LALMs.

cs.SD

Synthesis and editing of multi-instrument audio mixtures using scalar-quantised latents with MIDI Span conditioning

Music creation often involves iterative refinement, changing selected musical details while retaining the rest. To support such refinement, we introduce SpanSynth-Edit, a flow-matching model for MIDI-guided synthesis and editing of multi-instrument audio mixtures using low-frame-rate scalar-quantised latents. MIDI Span encodes instrument-labelled note lifecycles as unordered event sets with continuous-valued attributes and pools each set into one conditioning vector per audio-latent frame. The model uses contextual audio for instrument-specific timbre guidance and supports editing by resynthesising the target region from revised MIDI. Experiments on single- and multi-instrument benchmarks show competitive performance and demonstrate within-frame onset control. We also discuss limitations of transcription-based note-adherence evaluation.

cs.SD