Search arXiv⌕ Search
Home/Archive/arXiv

arXiv · 2506.19253

A Robust Method for Pitch Tracking in the Frequency Following Response using Harmonic Amplitude Summation Filterbank

Sajad Sadeghkhani·Maryam Karimi Boroujeni·Hilmi R. Dajani·Saeid R. Seydnejad·Christian Giguère
View original source ↗Read source document ↗Export metadata ↓

Abstract

The Frequency Following Response (FFR) reflects the brain's neural encoding of auditory stimuli including speech. Because the fundamental frequency (F0), a physical correlate of pitch, is one of the essential features of speech, there has been particular interest in characterizing the FFR at F0, especially when F0 varies over time. The standard method for extracting F0 in FFRs has been the Autocorrelation Function (ACF). This paper investigates harmonic-structure-based F0 estimation algorithms, originally developed for speech and music, and resolves their poor performance when applied to FFRs in two steps. Firstly, given that unlike in speech or music, stimulus F0 of FFRs is already known, we introduce a stimulus-aware filterbank that selectively aggregates amplitudes at F0 and its harmonics while suppressing noise at non-harmonic frequencies. This method, called Harmonic Amplitude Summation (HAS), evaluates F0 candidates only within a range centered around the stimulus F0. Secondly, unlike other pitch tracking methods that select the highest peak, our method chooses the most prominent one, as it better reflects the underlying periodicity of FFRs. To the best of our knowledge, this is the first study to propose an F0 estimation algorithm for FFRs that relies on harmonic structure. Analyzing recorded FFRs from 16 normal hearing subjects to 4 natural speech stimuli with a wide F0 variation from 89 Hz to 452 Hz showed that this method outperformed ACF by reducing the average Root-Mean-Square-Error (RMSE) within each response and stimulus F0 contour pair by 8.8% to 47.4%, depending on the stimulus.

Explore related subjects

cs.SDeess.ASeess.SP

Keep this discovery

Explore connections, maps & timelines

BibTeXRIS

Sajad Sadeghkhani, Maryam Karimi Boroujeni, Hilmi R. Dajani, Saeid R. Seydnejad, Christian Giguère. 2025-06-24. A Robust Method for Pitch Tracking in the Frequency Following Response using Harmonic Amplitude Summation Filterbank. https://arxiv.org/abs/2506.19253

Cite the original work for its findings. Save a collection to share your selection of sources.

KEEP EXPLORING

Related papers

arXiv2026

Text-only adaptation in LLM-based ASR through text denoising

Adapting large language model (LLM)-based automatic speech recognition (ASR) systems to new domains using text-only data is a significant yet underexplored challenge. Standard fine-tuning of the LLM on the target domain text often disrupts the critical alignment between the speech and text modality learned by the projector, degrading performance. We introduce a novel text-only adaptation method that frames this process as a text denoising task. Our approach trains the LLM to recover clean transcripts from noisy inputs. This process effectively adapts the model to a target domain while preserving cross-modal alignment. Our solution is lightweight, requiring no architectural changes or additional parameters. Extensive evaluation on two datasets demonstrates up to 22.1% relative improvement, outperforming recent state-of-the-art text-only adaptation methods.

cs.SD↗
arXiv2026

Discrete vs. Continuous: A Comprehensive Study of Unified Audio Understanding in LALMs

Large Audio Language Models (LALMs) utilize either continuous features or discrete tokens, yet the optimal representation paradigm for general audio understanding remains debated. Existing benchmarks often focus on narrow domains or evaluate encoders outside LALM contexts. To address these gaps, we systematically evaluate continuous and discrete representations across speech, sound and music. Utilizing our UniARC framework with dual evaluation strategies across model scales from SmolLM2-135M to Llama-3-8B, we analyze the dynamic relationships of data volume, model capacity, and computational efficiency. Our results reveal the pivotal role of semantic constraints in tokenization for audio understanding and demonstrate that scaling backbones fail to compensate for information loss in audio representation, especially in data-limited tasks. These findings offer practical guidance for balancing semantic density, fidelity, and efficiency in future LALMs.

cs.SD↗
arXiv2026

Synthesis and editing of multi-instrument audio mixtures using scalar-quantised latents with MIDI Span conditioning

Music creation often involves iterative refinement, changing selected musical details while retaining the rest. To support such refinement, we introduce SpanSynth-Edit, a flow-matching model for MIDI-guided synthesis and editing of multi-instrument audio mixtures using low-frame-rate scalar-quantised latents. MIDI Span encodes instrument-labelled note lifecycles as unordered event sets with continuous-valued attributes and pools each set into one conditioning vector per audio-latent frame. The model uses contextual audio for instrument-specific timbre guidance and supports editing by resynthesising the target region from revised MIDI. Experiments on single- and multi-instrument benchmarks show competitive performance and demonstrate within-frame onset control. We also discuss limitations of transcription-based note-adherence evaluation.

cs.SD↗