Search arXiv⌕ Search
Home/Archive/arXiv

arXiv · 2509.19865

SEA-Spoof: Bridging The Gap in Multilingual Audio Deepfake Detection for South-East Asian

Jinyang Wu·Nana Hou·Zihan Pan·Qiquan Zhang·Sailor Hardik Bhupendra·Soumik Mondal
View original source ↗Read source document ↗Export metadata ↓

Abstract

The rapid growth of the digital economy in South-East Asia (SEA) has amplified the risks of audio deepfakes, yet current datasets cover SEA languages only sparsely, leaving models poorly equipped to handle this critical region. This omission is critical: detection models trained on high-resource languages collapse when applied to SEA, due to mismatches in synthesis quality, language-specific characteristics, and data scarcity. To close this gap, we present SEA-Spoof, the first large-scale Audio Deepfake Detection (ADD) dataset especially for SEA languages. SEA-Spoof spans 300+ hours of paired real and spoof speech across Tamil, Hindi, Thai, Indonesian, Malay, and Vietnamese. Spoof samples are generated from a diverse mix of state-of-the-art open-source and commercial systems, capturing wide variability in style and fidelity. Benchmarking state-of-the-art detection models reveals severe cross-lingual degradation, but fine-tuning on SEA-Spoof dramatically restores performance across languages and synthesis sources. These results highlight the urgent need for SEA-focused research and establish SEA-Spoof as a foundation for developing robust, cross-lingual, and fraud-resilient detection systems.

Explore related subjects

cs.SD

Keep this discovery

Explore connections, maps & timelines

BibTeXRIS

Jinyang Wu, Nana Hou, Zihan Pan, Qiquan Zhang, Sailor Hardik Bhupendra, Soumik Mondal. 2025-09-25. SEA-Spoof: Bridging The Gap in Multilingual Audio Deepfake Detection for South-East Asian. https://arxiv.org/abs/2509.19865

Cite the original work for its findings. Save a collection to share your selection of sources.

KEEP EXPLORING

Related papers

arXiv2026

Text-only adaptation in LLM-based ASR through text denoising

Adapting large language model (LLM)-based automatic speech recognition (ASR) systems to new domains using text-only data is a significant yet underexplored challenge. Standard fine-tuning of the LLM on the target domain text often disrupts the critical alignment between the speech and text modality learned by the projector, degrading performance. We introduce a novel text-only adaptation method that frames this process as a text denoising task. Our approach trains the LLM to recover clean transcripts from noisy inputs. This process effectively adapts the model to a target domain while preserving cross-modal alignment. Our solution is lightweight, requiring no architectural changes or additional parameters. Extensive evaluation on two datasets demonstrates up to 22.1% relative improvement, outperforming recent state-of-the-art text-only adaptation methods.

cs.SD↗
arXiv2026

Discrete vs. Continuous: A Comprehensive Study of Unified Audio Understanding in LALMs

Large Audio Language Models (LALMs) utilize either continuous features or discrete tokens, yet the optimal representation paradigm for general audio understanding remains debated. Existing benchmarks often focus on narrow domains or evaluate encoders outside LALM contexts. To address these gaps, we systematically evaluate continuous and discrete representations across speech, sound and music. Utilizing our UniARC framework with dual evaluation strategies across model scales from SmolLM2-135M to Llama-3-8B, we analyze the dynamic relationships of data volume, model capacity, and computational efficiency. Our results reveal the pivotal role of semantic constraints in tokenization for audio understanding and demonstrate that scaling backbones fail to compensate for information loss in audio representation, especially in data-limited tasks. These findings offer practical guidance for balancing semantic density, fidelity, and efficiency in future LALMs.

cs.SD↗
arXiv2026

Synthesis and editing of multi-instrument audio mixtures using scalar-quantised latents with MIDI Span conditioning

Music creation often involves iterative refinement, changing selected musical details while retaining the rest. To support such refinement, we introduce SpanSynth-Edit, a flow-matching model for MIDI-guided synthesis and editing of multi-instrument audio mixtures using low-frame-rate scalar-quantised latents. MIDI Span encodes instrument-labelled note lifecycles as unordered event sets with continuous-valued attributes and pools each set into one conditioning vector per audio-latent frame. The model uses contextual audio for instrument-specific timbre guidance and supports editing by resynthesising the target region from revised MIDI. Experiments on single- and multi-instrument benchmarks show competitive performance and demonstrate within-frame onset control. We also discuss limitations of transcription-based note-adherence evaluation.

cs.SD↗