Search arXivSearch

arXiv · 2601.19951

Pianoroll-Event: A Novel Score Representation for Symbolic Music

Abstract

Symbolic music representation is a fundamental challenge in computational musicology. While grid-based representations effectively preserve pitch-time spatial correspondence, their inherent data sparsity leads to low encoding efficiency. Discrete-event representations achieve compact encoding but fail to adequately capture structural invariance and spatial locality. To address these complementary limitations, we propose Pianoroll-Event, a novel encoding scheme that describes pianoroll representations through events, combining structural properties with encoding efficiency while maintaining temporal dependencies and local spatial patterns. Specifically, we design four complementary event types: Frame Events for temporal boundaries, Gap Events for sparse regions, Pattern Events for note patterns, and Musical Structure Events for musical metadata. Pianoroll-Event strikes an effective balance between sequence length and vocabulary size, improving encoding efficiency by 1.36\times to 7.16\times over representative discrete sequence methods. Experiments across multiple autoregressive architectures show models using our representation consistently outperform baselines in both quantitative and human evaluations.

Explore related subjects

Keep this discovery

Explore connections, maps & timelines

BibTeXRIS

Lekai Qian, Haoyu Gu, Dehan Li, Boyu Cao, Qi Liu. 2026-01-26. Pianoroll-Event: A Novel Score Representation for Symbolic Music. https://arxiv.org/abs/2601.19951

Cite the original work for its findings. Save a collection to share your selection of sources.

KEEP EXPLORING

Related papers

MENASpeechBank: A Reference Voice Bank with Persona-Conditioned Multi-Turn Conversations for AudioLLMs

Audio large language models (AudioLLMs) enable instruction following over speech and general audio, but progress is limited by the scarcity of diverse, conversational, and instruction-aligned speech--text data. This gap is particularly pronounced for persona-grounded and dialectal interactions, where collecting real multi-speaker recordings remains costly and slow. We introduce MENASpeechBank, a reference speech bank comprising ~18K high-quality utterances from 124 speakers spanning multiple MENA countries, covering English, Modern Standard Arabic (MSA), and regional Arabic varieties. We develop a controllable data pipeline that (i) constructs persona profiles enriched with World Values Survey (WVS) inspired attributes, (ii) defines a taxonomy driven ~5Kconversational scenarios, (iii) matches personas to scenarios via semantic similarity, (iv) generates ~417K role-play conversations with an LLM where the user speaks as the persona and the assistant behaves as a helpful agent, and (v) produces speaker-conditioned user-turn audio (synthetic) from reference recordings to preserve speaker diversity. We evaluate synthetic and human recorded conversations and provide an analysis. We will make the MENASpeechBank available for the community.(\href{https://huggingface.co/datasets/QCRI/MenaSpeechBank)

cs.SD

A Training-Free Proactive Defense Against Partial Speech Manipulation via Self-Embedding Steganography

Partial deepfake speech, where only limited segments of an utterance are synthesized or manipulated, poses a significant challenge to existing deepfake detection systems. As the proportion of spoofed regions decreases, passive detectors become increasingly unreliable, and accurate detection and restoration remain challenging. In this paper, we revisit audio steganography from a new perspective and propose its use as a proactive defense against partially deepfaked audio. In particular, we consider a self-embedding strategy in which a clean speech signal embeds a compressed representation of itself, enabling post-hoc extraction of reference content. We demonstrate how existing audio steganography methods can be repurposed to support detection of partial deepfakes through codec-based restoration. Experiments on a benchmark dataset show that the proposed approach complements passive defenses. Remarkably, the proposed method operates without any training, providing a robust and data-efficient alternative for partial deepfake detection.

cs.SD

CPR: Combining global composing, local performing and full-sequence refining in piano rendering with continuous autoregressive modelling

Prompt-conditioned piano MIDI-to-Music rendering aims to faithfully render target notes while reproducing the timbre of a reference recording. Existing approaches primarily follow two paradigms: autoregressive (AR) modeling and flow matching (or diffusion). Discrete-codec AR models provide causal temporal modeling, but quantization can discard acoustic detail. Flow matching better preserves acoustic structure in the cost of full-sequence attention costs and worse semantic structure. Continuous autoregressive models operate directly on continuous representations. It not only combines the condition-following ability of AR models and distribution-modeling capacity of flow matching but also bypasses the quantization bottleneck with lower computational costs. Building on this principle, we present Composer--Performer--Refiner (CPR) framework. Composer autoregressively predicts continuous hidden states, Performer generates 24kHz acoustic latents through local flow matching and Refiner then upsamples the waveform to 48 kHz. We further introduce Bottlenecked Representation Alignment (BREPA) and Modality--Time RoPE (MT-RoPE) to strengthen musical semantic structure in Composer hidden states and temporal alignments across modalities. Codes are available at https://github.com/FEAfeatherTHER/CPR_official

cs.SD