Search arXivSearch

arXiv · 2608.28661

Neural Multichannel Distant Speaker Diarization and Source Separation with Beta Speaker Activity Prior

Abstract

Distant speaker diarization remains challenging due to adverse acoustic conditions, varying numbers of speakers and overlapping speech. While data-driven approaches have shown strong performance, model-driven methods offer a compelling alternative by leveraging spatial information from multichannel recordings. This paper is motivated to propose a Bayesian diarization model for a model-driven method called neural FCASA to enhance its robustness. Specifically, we propose a beta prior over speaker activity and hence a variational lower bound objective that can be seen as a regularized continuous speaker activity score in place of the original cross-entropy loss to train the diarization model. Our experiments show significant improvements in terms of Diarization Error Rate by at least 3% (16% relatively) and Jaccard Error Rate by at least 4% (20% relatively) on the AMI dataset compared to the baseline.

Explore related subjects

Keep this discovery

BibTeXRIS

Sicheng Mao, Mathieu Fontaine, Anthony Larcher, Roland Badeau. 2026-08-21. Neural Multichannel Distant Speaker Diarization and Source Separation with Beta Speaker Activity Prior. https://arxiv.org/abs/2608.28661

Cite the original work for its findings. Save a collection to share your selection of sources.

Discover connections

Connections use source metadata and explicit phrase matches, not verified experimental comparisons.

KEEP EXPLORING

Related papers

Evoking Harmony via Convolution

I show how to evoke the pitch-class content of a chord from an arbitrary source sound by convolving the source with an impulse response whose grains are one windowed sinusoid per pitch-class, across each octave of hearing range; while, at the same time, minimizing artifacts. A Csound user-defined opcode, chord_convolver, mixes a dry Dirac component into that response, and applies partitioned convolution once. I contrast the effect with a linear-frequency comb filter and with a generic constant-Q resonator bank, and I demonstrate musical use on a twilight field recording alongside the ruins of Chateau de Lagarde.

cs.SD

Variable-Length Audio Fingerprinting

Audio fingerprinting converts audio to much lower-dimensional representations, allowing distorted recordings to still be recognized as their originals through similar fingerprints. Existing deep learning approaches rigidly fingerprint fixed-length audio segments, thereby neglecting temporal dynamics during segmentation. To address limitations due to this rigidity, we propose Variable-Length Audio FingerPrinting (VLAFP), a novel method that supports variable-length fingerprinting. To the best of our knowledge, VLAFP is the first deep audio fingerprinting model capable of processing audio of variable length, for both training and testing. Our experiments show that VLAFP outperforms existing state-of-the-arts in live audio identification and audio retrieval across three real-world datasets.

cs.SD

MuSP-Bench: Advanced Multimodal Benchmarking of Music Understanding across Score and Performance

Musicians commonly communicate music through scores and performances. Scores encode musical intent, while performances realize it in sound. To investigate whether models can meaningfully engage with both modalities, we introduce MuSP-Bench, a human-authored benchmark of 490 questions targeting understanding across Musical Scores and Performances. The benchmark distinguishes itself by spanning score-based, performance-based, interpretive, and long-horizon reasoning across classical piano and orchestral works. We evaluate frontier multimodal large language models under multiple input conditions. Our results show that these models struggle substantially to understand scores, while facing even greater challenges when reasoning about performance audio. The benchmark is available at https://musp.vaclis.net/.

cs.MM