Search arXivSearch

arXiv · 2609.14427

Differentiable Digital Signal Processing Mixture Model-Guided Diffusion for Synthesis Parameter Estimation from Harmonic Sound Mixtures

Abstract

A differentiable digital signal processing (DDSP) autoencoder reconstructs a monophonic harmonic sound through three types of synthesis parameters: fundamental frequency, loudness, and timbre features. To handle mixtures of harmonic sounds within the DDSP approach, we have previously proposed a DDSP mixture model (DDSPMM). It represents a mixture as the sum of source signals synthesized by the decoders of pretrained DDSP autoencoders. Although DDSPMM enables direct estimation of synthesis parameters of each source from mixtures, it does not explicitly model temporal variations in the synthesis parameters and can produce excessive temporal fluctuations. In this paper, we propose a method for estimating synthesis parameters with temporally plausible trajectories by incorporating a denoising diffusion probabilistic model (DDPM) into the DDSPMM-based estimation. The DDPM is trained as a generative model of synthesis parameters. During estimation, the proposed method guides the DDPM reverse diffusion process with the reconstruction error between the observed mixture and the mixture synthesized by DDSPMM from the current estimates. Experiments on woodwind and string instrument ensembles showed that the DDPM-based regularization improves synthesis parameter estimation by imposing temporal plausibility on the estimated trajectories.

Explore related subjects

Keep this discovery

Explore connections, maps & timelines

BibTeXRIS

Kengo Takemoto, Tomohiko Nakamura, Hiroshi Saruwatari. 2026-09-13. Differentiable Digital Signal Processing Mixture Model-Guided Diffusion for Synthesis Parameter Estimation from Harmonic Sound Mixtures. https://arxiv.org/abs/2609.14427

Cite the original work for its findings. Save a collection to share your selection of sources.

KEEP EXPLORING

Related papers

Text-only adaptation in LLM-based ASR through text denoising

Adapting large language model (LLM)-based automatic speech recognition (ASR) systems to new domains using text-only data is a significant yet underexplored challenge. Standard fine-tuning of the LLM on the target domain text often disrupts the critical alignment between the speech and text modality learned by the projector, degrading performance. We introduce a novel text-only adaptation method that frames this process as a text denoising task. Our approach trains the LLM to recover clean transcripts from noisy inputs. This process effectively adapts the model to a target domain while preserving cross-modal alignment. Our solution is lightweight, requiring no architectural changes or additional parameters. Extensive evaluation on two datasets demonstrates up to 22.1% relative improvement, outperforming recent state-of-the-art text-only adaptation methods.

cs.SD

Discrete vs. Continuous: A Comprehensive Study of Unified Audio Understanding in LALMs

Large Audio Language Models (LALMs) utilize either continuous features or discrete tokens, yet the optimal representation paradigm for general audio understanding remains debated. Existing benchmarks often focus on narrow domains or evaluate encoders outside LALM contexts. To address these gaps, we systematically evaluate continuous and discrete representations across speech, sound and music. Utilizing our UniARC framework with dual evaluation strategies across model scales from SmolLM2-135M to Llama-3-8B, we analyze the dynamic relationships of data volume, model capacity, and computational efficiency. Our results reveal the pivotal role of semantic constraints in tokenization for audio understanding and demonstrate that scaling backbones fail to compensate for information loss in audio representation, especially in data-limited tasks. These findings offer practical guidance for balancing semantic density, fidelity, and efficiency in future LALMs.

cs.SD

Synthesis and editing of multi-instrument audio mixtures using scalar-quantised latents with MIDI Span conditioning

Music creation often involves iterative refinement, changing selected musical details while retaining the rest. To support such refinement, we introduce SpanSynth-Edit, a flow-matching model for MIDI-guided synthesis and editing of multi-instrument audio mixtures using low-frame-rate scalar-quantised latents. MIDI Span encodes instrument-labelled note lifecycles as unordered event sets with continuous-valued attributes and pools each set into one conditioning vector per audio-latent frame. The model uses contextual audio for instrument-specific timbre guidance and supports editing by resynthesising the target region from revised MIDI. Experiments on single- and multi-instrument benchmarks show competitive performance and demonstrate within-frame onset control. We also discuss limitations of transcription-based note-adherence evaluation.

cs.SD