Search arXiv⌕ Search

arXiv · 2610.15960

TASTE: Taxonomy-Aware Symbolic Piano Generation from Textual Description

Abstract

Text-conditioned symbolic music generation has attracted growing interest with the development of generative models. Yet two questions remain underexplored: what aspects of music the conditioning text should describe, and how the corresponding data should be collected and trained to improve controllability and text-music alignment. We address these challenges with TASTE, a taxonomy-aware framework for symbolic music generation with a main focus on piano pieces. First, we introduce a taxonomy of musical elements that specifies how a piece can be captured through textual description in a musically grounded way. The taxonomy comprises a set of metadata tags (genre, emotion, section plan, etc.) together with a free-form description of music imagery. This structure decomposes textual input to match the generation goal more coherently and precisely. Second, we build a data pipeline for collecting, annotating, and retrieving public symbolic piano resources, yielding a corpus of 432K MIDI files labeled at multiple levels of granularity. Finally, we design a staged training procedure that leverages this multi-granularity data across two model families: an autoregressive model and a non-autoregressive diffusion model. Both objective and subjective evaluations show that our models achieve superior musical-element control, text-description alignment, and overall music quality. We will release the full pipeline, all annotated datasets, and the model checkpoints.

Explore related subjects

Keep this discovery

Explore connections, maps & timelines

BibTeXRIS

Mingyang Yao, Jingyue Huang, Ke Chen, Taylor Berg-Kirkpatrick, Shlomo Dubnov. 2026-10-11. TASTE: Taxonomy-Aware Symbolic Piano Generation from Textual Description. https://arxiv.org/abs/2610.15960

Cite the original work for its findings. Save a collection to share your selection of sources.

KEEP EXPLORING

Related papers

Energy-Based Models For Speech Synthesis

Recently there has been a lot of interest in non-autoregressive (non-AR) models for speech synthesis, such as FastSpeech 2 and diffusion models. Unlike AR models, these models do not have autoregressive dependencies among outputs which makes inference efficient. This paper expands the range of available non-AR models with another member called energy-based models (EBMs). The paper describes how noise contrastive estimation, which relies on the comparison between positive and negative samples, can be used to train EBMs. It proposes a number of strategies for generating effective negative samples, including using high-performing AR models. It also describes how sampling from EBMs can be performed using Langevin Markov Chain Monte-Carlo (MCMC). The use of Langevin MCMC enables to draw connections between EBMs and currently popular diffusion models. Experiments on LJSpeech dataset show that the proposed approach offers improvements over Tacotron 2.

cs.SD↗

Score-Based Training for Energy-Based TTS Models

Noise contrastive estimation (NCE) is a popular method for training energy-based models (EBM) with intractable normalisation terms. The key idea of NCE is to learn by comparing unnormalised log-likelihoods of the reference and noisy samples, thus avoiding explicitly computing normalisation terms. However, NCE critically relies on the quality of noisy samples. Recently, sliced score matching (SSM) has been popularised by closely related diffusion models (DM). Unlike NCE, SSM learns a gradient of log-likelihood, or score, by learning distribution of its projections on randomly chosen directions. However, both NCE and SSM disregard the form of log-likelihood function, which is problematic given that EBMs and DMs make use of first-order optimisation during inference. This paper proposes a new criterion that learns scores more suitable for first-order schemes. Experiments contrasts these approaches for training EBMs.

cs.SD↗

Omni-Embed-Audio: Leveraging Multimodal LLMs for Robust Audio-Text Retrieval

Audio-text retrieval systems based on Contrastive Language-Audio Pretraining (CLAP) achieve strong performance on traditional benchmarks; however, these benchmarks rely on caption-style queries that differ substantially from real-world search behavior, limiting their assessment of practical retrieval robustness. We present Omni-Embed-Audio (OEA), a retrieval-oriented encoder leveraging multimodal LLMs with native audio understanding. To systematically evaluate robustness beyond caption-style queries, we introduce User-Intent Queries (UIQs) - five formulations reflecting natural search behaviors: questions, commands, keyword tags, paraphrases, and exclusion-based negative queries. For negative queries, we develop a hard negative mining pipeline and propose discrimination metrics (HNSR, TFR) assessing models' ability to suppress acoustically similar distractors. Experiments on AudioCaps, Clotho, and MECAT show that OEA achieves comparable text-to-audio retrieval performance to state-of-the-art M2D-CLAP, while demonstrating clear advantages in two critical areas: (1) dominant text-to-text retrieval (+22% relative improvement), and (2) substantially superior hard negative discrimination (+4.3%p HNSR@10, +34.7% relative TFR@10), revealing that LLM backbones provide superior semantic understanding of complex queries.

cs.SD↗