Search arXiv⌕ Search

arXiv · 2610.28035

LoCA: Local Credit Assignment for Reinforcement Learning of Autoregressive Flow-Matching TTS

Abstract

Reinforcement learning can improve text-to-speech synthesis through feedback on generated speech. However, sentence-level rewards do not identify local errors, while signed regression updates can lead to excessive fitting or repulsion of sampled outputs. We propose LoCA (Local Credit Assignment) for autoregressive flow-matching text-to-speech. LoCA uses ASR-based text alignment to locate content errors in generated speech and redistribute sentence-level advantages across acoustic frames. To improve training stability, we introduce reference-relative positive and negative thresholds that limit continued fitting and repulsion. Experiments on VoxCPM2 show that LoCA reduces sample-weighted content error on a multilingual CV3 evaluation subset by 20.5% and 14.3% relative to the pretrained backbone and GROW, respectively, while improving speaker similarity. LoCA also improves content accuracy on the Seed-TTS-Eval hard subset. Ablation results support the contributions of local credit and threshold-based regression control.

Explore related subjects

Keep this discovery

Explore connections, maps & timelines

BibTeXRIS

Jie Liu, Junyu Zhou, Junhao Zhong, WeiSen Tang, Rukai Cai, Haoyue Zhan, Ruiqi Xing, Ling Long. 2026-10-20. LoCA: Local Credit Assignment for Reinforcement Learning of Autoregressive Flow-Matching TTS. https://arxiv.org/abs/2610.28035

Cite the original work for its findings. Save a collection to share your selection of sources.

KEEP EXPLORING

Related papers

LARA-Gen: Enabling Continuous Emotion Control for Music Generation Models via Latent Affective Representation Alignment

Recent advances in text-to-music models have enabled coherent music generation from text prompts, yet fine-grained emotional control remains unresolved. We introduce LARA-Gen, a framework for continuous emotion control that aligns the internal hidden states with an external music understanding model through Latent Affective Representation Alignment (LARA), enabling effective training. In addition, we design an emotion control module based on a continuous valence-arousal space, disentangling emotional attributes from textual content and bypassing the bottlenecks of text-based prompting. Furthermore, we establish a benchmark with a curated test set and a robust Emotion Predictor, facilitating objective evaluation of emotional controllability in music generation. Extensive experiments demonstrate that LARA-Gen achieves continuous, fine-grained control of emotion and significantly outperforms baselines in both emotion adherence and music quality. Generated samples are available at https://anonymous2232330.github.io/laragen-web/.

cs.SD↗

Resonance and Depth: Composing Timbral Identity and Spatial Form in an Artist-in-the-Loop Co-Creative Multi-Agent Percussive Performance

This research-creation artistic report presents Resonance and Depth, a 9-minute immersive electroacoustic/acousmatic performance that treats timbre and space as primary compositional materials. Built from live electronic percussion and a personal corpus recorded, curated, and composed by the author, the work investigates how timbral identity and musical form can emerge through real-time recombination, spatialisation, and performer-system interaction rather than conventional harmonic development. The performance is realised as an artist-in-the-loop co-creative multi-agent system integrating MACAT, MACataRT, a MIDI-based musical agent, a spatialisation layer, and a conductor agent. These components recombine and transform the performer's material through concatenative synthesis, audio mosaicing, symbolic mediation, physically inspired synthesis, and object-based spatialisation. The work approaches spatialisation as an active compositional process in which position, trajectory, depth, diffusion, width, and apparent size participate in musical phrasing and form. Through this practice-based framework, Resonance and Depth examines how performer identity can be retained, transformed, and redistributed across human, algorithmic, timbral, and spatial processes within an immersive co-creative performance ecology.

cs.SD↗

KunSet: A Corpus and Benchmark for Lyrics Alignment and Rhyme Retrieval in Kunqu Opera

Kunqu is one of the oldest extant forms of Chinese opera, yet its digitization remains scarce and difficult to annotate, with two challenges standing out: first, close analysis of Kunqu performance demands syllable-level lyrics alignment; second, analyzing Kunqu pronunciation requires its phonological attributes (e.g., rhyme) to be linked with each syllable. To address these challenges, we present KunSet, the first Kunqu performance corpus comprising 482,164 fine-grained annotations of syllable-level lyrics and phonological attributes in total media duration of 155.2 h with 106.3 h annotated. To ensure annotation quality, KunSet was preannotated by an iterative ML-assisted pipeline and corrected by over 200 trained annotators via a purpose-built online annotation system under a two-round review process. To assess KunSet as a music information retrieval (MIR) benchmark, we evaluate two tasks: lyrics alignment, by finetuning a forced-alignment model with an acoustic anchor decoder; and same-rhyme retrieval, using frozen Chinese HuBERT features. Models built with KunSet outperform their baselines. We release KunSet and model checkpoints to support MIR research on traditional-music corpora.

cs.SD↗