Search arXiv⌕ Search

arXiv · 2610.28288

Improved automatic speech-based cognitive assessment using neuropsychologically calibrated diagnostic labels

Abstract

Although automatic detection of cognitive impairment from conversational speech is a promising way, it becomes less accurate, as large real-world datasets often contain unreliable diagnostic labels due to self-referral and limited clinical verification, and here we investigated whether neuropsychologically calibrated diagnostic relabeling improves it. We analysed 138 hours of conversational speech from 720 participants, recalibrating unreliable diagnostic labels using attention, executive function, and memory performance via external clinical thresholds, Gaussian, and normative z-score calibration. Transformer-based classifiers were trained using both original and recalibrated labels and evaluated internally on 150 clinically verified participants and externally on Pitt, ADReSS and PROCESS-2 datasets. Memory- and MoCA-based z-score calibration produced the greatest improvements. Using our internal dataset, $F_1$ increased from $0.70$ to $0.83$ ($+13\%$) and from $0.54$ to $0.66$ ($+12\%$) for binary and multiclass classification, respectively. For external validation, the increases are $+4\%$, $+5\%$ and $+9\%$ on Pitt, ADReSS and PROCESS-2 corpus. Neuropsychologically calibrated relabeling substantially improves speech-based cognitive assessment, highlighting label quality, rather than model architecture, as a critical bottleneck in clinical AI for dementia screening.

Explore related subjects

Keep this discovery

Explore connections, maps & timelines

BibTeXRIS

Madhurananda Pahar, Caitlin Illingworth, Adam Hampshire, Peter J Hellyer, Agata J Hampshire, Daniel Blackburn, Annalena Venneri, Heidi Christensen. 2026-10-20. Improved automatic speech-based cognitive assessment using neuropsychologically calibrated diagnostic labels. https://arxiv.org/abs/2610.28288

Cite the original work for its findings. Save a collection to share your selection of sources.

KEEP EXPLORING

Related papers

LARA-Gen: Enabling Continuous Emotion Control for Music Generation Models via Latent Affective Representation Alignment

Recent advances in text-to-music models have enabled coherent music generation from text prompts, yet fine-grained emotional control remains unresolved. We introduce LARA-Gen, a framework for continuous emotion control that aligns the internal hidden states with an external music understanding model through Latent Affective Representation Alignment (LARA), enabling effective training. In addition, we design an emotion control module based on a continuous valence-arousal space, disentangling emotional attributes from textual content and bypassing the bottlenecks of text-based prompting. Furthermore, we establish a benchmark with a curated test set and a robust Emotion Predictor, facilitating objective evaluation of emotional controllability in music generation. Extensive experiments demonstrate that LARA-Gen achieves continuous, fine-grained control of emotion and significantly outperforms baselines in both emotion adherence and music quality. Generated samples are available at https://anonymous2232330.github.io/laragen-web/.

cs.SD↗

Resonance and Depth: Composing Timbral Identity and Spatial Form in an Artist-in-the-Loop Co-Creative Multi-Agent Percussive Performance

This research-creation artistic report presents Resonance and Depth, a 9-minute immersive electroacoustic/acousmatic performance that treats timbre and space as primary compositional materials. Built from live electronic percussion and a personal corpus recorded, curated, and composed by the author, the work investigates how timbral identity and musical form can emerge through real-time recombination, spatialisation, and performer-system interaction rather than conventional harmonic development. The performance is realised as an artist-in-the-loop co-creative multi-agent system integrating MACAT, MACataRT, a MIDI-based musical agent, a spatialisation layer, and a conductor agent. These components recombine and transform the performer's material through concatenative synthesis, audio mosaicing, symbolic mediation, physically inspired synthesis, and object-based spatialisation. The work approaches spatialisation as an active compositional process in which position, trajectory, depth, diffusion, width, and apparent size participate in musical phrasing and form. Through this practice-based framework, Resonance and Depth examines how performer identity can be retained, transformed, and redistributed across human, algorithmic, timbral, and spatial processes within an immersive co-creative performance ecology.

cs.SD↗

KunSet: A Corpus and Benchmark for Lyrics Alignment and Rhyme Retrieval in Kunqu Opera

Kunqu is one of the oldest extant forms of Chinese opera, yet its digitization remains scarce and difficult to annotate, with two challenges standing out: first, close analysis of Kunqu performance demands syllable-level lyrics alignment; second, analyzing Kunqu pronunciation requires its phonological attributes (e.g., rhyme) to be linked with each syllable. To address these challenges, we present KunSet, the first Kunqu performance corpus comprising 482,164 fine-grained annotations of syllable-level lyrics and phonological attributes in total media duration of 155.2 h with 106.3 h annotated. To ensure annotation quality, KunSet was preannotated by an iterative ML-assisted pipeline and corrected by over 200 trained annotators via a purpose-built online annotation system under a two-round review process. To assess KunSet as a music information retrieval (MIR) benchmark, we evaluate two tasks: lyrics alignment, by finetuning a forced-alignment model with an acoustic anchor decoder; and same-rhyme retrieval, using frozen Chinese HuBERT features. Models built with KunSet outperform their baselines. We release KunSet and model checkpoints to support MIR research on traditional-music corpora.

cs.SD↗