Search arXiv⌕ Search

arXiv · 2610.29256

Heard But Not Said: Prompting Understates Temporal Information of Musical Moments in Frozen Large Audio-Language Models

Abstract

Large audio-language models (LALMs) understand music, yet struggle to locate a described moment in time. We ask whether this reflects missing temporal information or a bottleneck in how the time span is extracted. Using a paired-query probe built from Slakh2100 stem activations, we attach a state query (e.g., ``only piano and bass are playing'') and a change query (e.g., ``the guitar drops out, leaving piano and bass'') to the same span and vary how much preceding audio the model is shown. Across frozen LALMs, three ways of extracting the span ask different questions: full-track prompting asking whether the model can say when; windowed yes/no scoring asking whether it verifies the moment when handed the segment, and whether it needs what came before; attention asking whether it can find the moment on its own. State queries score above baseline without context, while change queries improve with preceding context in most short-segment models; 30s padded encoders show no comparable recovery. Prompting and attention expose almost none of this. Prompting failures thus understate what LALMs can verify, though not what they can locate, by an amount set by query type and encoder.

Explore related subjects

Keep this discovery

Explore connections, maps & timelines

BibTeXRIS

Eunsik Shin. 2026-10-21. Heard But Not Said: Prompting Understates Temporal Information of Musical Moments in Frozen Large Audio-Language Models. https://arxiv.org/abs/2610.29256

Cite the original work for its findings. Save a collection to share your selection of sources.

KEEP EXPLORING

Related papers

LARA-Gen: Enabling Continuous Emotion Control for Music Generation Models via Latent Affective Representation Alignment

Recent advances in text-to-music models have enabled coherent music generation from text prompts, yet fine-grained emotional control remains unresolved. We introduce LARA-Gen, a framework for continuous emotion control that aligns the internal hidden states with an external music understanding model through Latent Affective Representation Alignment (LARA), enabling effective training. In addition, we design an emotion control module based on a continuous valence-arousal space, disentangling emotional attributes from textual content and bypassing the bottlenecks of text-based prompting. Furthermore, we establish a benchmark with a curated test set and a robust Emotion Predictor, facilitating objective evaluation of emotional controllability in music generation. Extensive experiments demonstrate that LARA-Gen achieves continuous, fine-grained control of emotion and significantly outperforms baselines in both emotion adherence and music quality. Generated samples are available at https://anonymous2232330.github.io/laragen-web/.

cs.SD↗

Resonance and Depth: Composing Timbral Identity and Spatial Form in an Artist-in-the-Loop Co-Creative Multi-Agent Percussive Performance

This research-creation artistic report presents Resonance and Depth, a 9-minute immersive electroacoustic/acousmatic performance that treats timbre and space as primary compositional materials. Built from live electronic percussion and a personal corpus recorded, curated, and composed by the author, the work investigates how timbral identity and musical form can emerge through real-time recombination, spatialisation, and performer-system interaction rather than conventional harmonic development. The performance is realised as an artist-in-the-loop co-creative multi-agent system integrating MACAT, MACataRT, a MIDI-based musical agent, a spatialisation layer, and a conductor agent. These components recombine and transform the performer's material through concatenative synthesis, audio mosaicing, symbolic mediation, physically inspired synthesis, and object-based spatialisation. The work approaches spatialisation as an active compositional process in which position, trajectory, depth, diffusion, width, and apparent size participate in musical phrasing and form. Through this practice-based framework, Resonance and Depth examines how performer identity can be retained, transformed, and redistributed across human, algorithmic, timbral, and spatial processes within an immersive co-creative performance ecology.

cs.SD↗

KunSet: A Corpus and Benchmark for Lyrics Alignment and Rhyme Retrieval in Kunqu Opera

Kunqu is one of the oldest extant forms of Chinese opera, yet its digitization remains scarce and difficult to annotate, with two challenges standing out: first, close analysis of Kunqu performance demands syllable-level lyrics alignment; second, analyzing Kunqu pronunciation requires its phonological attributes (e.g., rhyme) to be linked with each syllable. To address these challenges, we present KunSet, the first Kunqu performance corpus comprising 482,164 fine-grained annotations of syllable-level lyrics and phonological attributes in total media duration of 155.2 h with 106.3 h annotated. To ensure annotation quality, KunSet was preannotated by an iterative ML-assisted pipeline and corrected by over 200 trained annotators via a purpose-built online annotation system under a two-round review process. To assess KunSet as a music information retrieval (MIR) benchmark, we evaluate two tasks: lyrics alignment, by finetuning a forced-alignment model with an acoustic anchor decoder; and same-rhyme retrieval, using frozen Chinese HuBERT features. Models built with KunSet outperform their baselines. We release KunSet and model checkpoints to support MIR research on traditional-music corpora.

cs.SD↗