Search arXiv⌕ Search
Home/Archive/arXiv

arXiv · 2610.32816

Sounding Surgical Instrument Localisation through Audio-Visual Correspondence

Dominic Behling·Jonas Hein·Matthias Seibold
View original source ↗Read source document ↗Export metadata ↓

Abstract

Surgical scene understanding is a prerequisite for context-aware and intelligent systems in the operating room. Current methods rely mostly on visual data, while acoustic sensing has shown potential to provide complementary information on surgical activity. First approaches for the localisation of surgical activity relied on microphone arrays and acoustic beamforming. This work investigates whether the active instrument can be localized from a single microphone and a camera by learning the correspondence between the appearance and the sound of surgical instruments, without annotating its position. We adapt weakly supervised audio-visual localisation, which learns from the co-occurrence of image and sound, to the surgical setting. We record simulated surgical actions, sawing, drilling, and chiseling, and train the model on these recordings without any spatial annotation to produce a heatmap over the sounding tool. We extend the training objective by two terms: a silence term, which suppresses the output for silence and background noise, and a composite term, which trains the model to select the sounding one of two visible instruments. The model localizes the active instrument on an independent corpus recorded with a different camera and microphone, in which instrument positions were obtained by optical tracking. It separates tool activity from silence and background noise and can attribute sound correctly when two tools are present. Audio-visual correspondence learned from in-domain recordings connects the sound of a surgical action to the instrument that produces it, using a single microphone and a camera. This proof of concept introduces a novel paradigm that enables the detection and localisation of surgical activity without manual annotations.

Explore related subjects

cs.SDcs.CV

Keep this discovery

Explore connections, maps & timelines

BibTeXRIS

Dominic Behling, Jonas Hein, Matthias Seibold. 2026-10-23. Sounding Surgical Instrument Localisation through Audio-Visual Correspondence. https://arxiv.org/abs/2610.32816

Cite the original work for its findings. Save a collection to share your selection of sources.

KEEP EXPLORING

Related papers

arXiv2026

AU-Harness: An Open-Source Toolkit for Efficient and Unified Evaluation of AUdio-LLMs

Large Audio Language Models (LALMs) are rapidly advancing, but evaluating them remains challenging due to inefficient and nonstandardized toolkits that limit fair comparison and systematic assessment. Existing evaluation frameworks exhibit three critical limitations: (1) slow and inefficient processing pipeline that bottlenecks large-scale studies, (2) inadequate multi-turn dialogue support, leaving fundamental questions about cross-turn context integration and performance dynamics over extended conversations in LALMs unanswered; and (3) the absence of unified and scalable evaluation framework capable of keeping pace with the rapid growth of both LALMs and audio benchmarks. To address these issues, we introduce AU-Harness, an efficient and comprehensive evaluation framework for LALMs. Our empirical studies demonstrate that AU-Harness achieves 77% reduction in evaluation processing time over existing evaluation toolkits, enabling large-scale LALM evaluations previously considered impractical. We provide standardized evaluation protocols and flexible configurations for fair model comparison across diverse scenarios. AU-Harness unlocks a range of in-depth analyses difficult to conduct without a unified foundation, including multi-turn dialogue dynamics, enabling the study of true audio reasoning capabilities in existing LALMs. AU-Harness provides both practical evaluation tools and insights into model limitations, advancing systematic LALM development.

cs.SD↗
arXiv2026

Commanding at the Speed of Sound: Audio-Centric Referring Expression Segmentation for Aerial Scenes

Referring expression segmentation (RES) aims to localize targets at the pixel level guided by human instructions. However, current models predominantly follow a text-centric paradigm that treats discrete text as the primary interaction medium for these human instructions. This assumption is especially limiting in unmanned aerial vehicle (UAV) applications, where rapid response, hands-free operation, and natural communication are often critical. In this paper, we reconstruct UAV referring expression segmentation through an audio-centric perspective. Grounded in information theory, we demonstrate that raw audio provides a higher upper bound for extracting rich semantic features than transcribed text. To achieve this, we construct an audio-driven UAV referring expression segmentation benchmark named Aerial-AudioRES by augmenting VisDrone with synthesized speech, forming "audio-text-image-mask" quadruples. Specifically, we employ an ambiguity filtering mechanism to ensure referential uniqueness, and incorporate eight distinct timbres alongside 4 realistic noises to simulate authentic environments. To drive the paradigm shift from text-centric to audio-centric, we propose the end-to-end Audio-centric Referring Expression Segmentation Network (ARES-Net). Distinct from discrete text-visual matching, our approach learns to establish a direct soft alignment between continuous acoustic manifolds and multi-scale visual representations. Comprehensive experiments show that our method obtains a peak accuracy of 64.23% in oIoU and demonstrates robust generalization on a collected real-human test set. Furthermore, it significantly reduces total interaction latency to one-third of the text-based method. Our code is available at https://github.com/LemonGauss/ARES-Net.

cs.SD↗
arXiv2026

MI-MIDI 2: From Observation to Control with Sparse Autoencoders in Text-to-MIDI Generation

Sparse autoencoders (SAEs) can expose features of a generative model without predefined labels, but in language models the evidence used to interpret these features has proven an unreliable guide to which of them steer the output. Whether interpretations of SAE features predict control in music generators has not, to our knowledge, been tested. We develop an end-to-end protocol for discovering and evaluating SAE features in text-to-MIDI generation and apply it to text2midi and MIDI-LLM. The protocol characterizes features through correlations with musical metrics, shared instrument programs, and automated descriptions, each with its own control: note-density adjustment, matched inactive excerpts, and permutation calibration. It then tests candidates by intervention, measured directly in the generated MIDI against unmodified generation and a matched random direction, ranks them in screens, and confirms selected features on new prompts. Evidence that survives these controls points to features that steer the output. Descriptions exceed permutation controls for instrumentation, and a feature whose description names a synth-lead program introduces that program in a prespecified confirmation and in a replication on disjoint prompts and reappears in independently trained dictionaries. Features selected by density-adjusted correlations show a small positive shift of their target metric as a family, whereas features selected by raw correlations show none. An atlas provides MIDI, piano-roll, and audio examples for every feature of the targeted screen.

cs.SD↗