arXiv subjects

John Collomosse

Publications and source records attributed to John Collomosse.

58 records · Page 4Linked to original sources

arXiv2018

Deep Autoencoder for Combined Human Pose Estimation and body Model Upscaling

We present a method for simultaneously estimating 3D human pose and body shape from a sparse set of wide-baseline camera views. We train a symmetric convolutional autoencoder with a dual loss that enforces learning of a latent representation that encodes skeletal joint positions, and at the same time learns a deep representation of volumetric body shape. We harness the latter to up-scale input volumetric data by a factor of $4 \times$, whilst recovering a 3D estimate of joint positions with equal or greater accuracy than the state of the art. Inference runs in real-time (25 fps) and has the potential for passive human behaviour monitoring where there is a requirement for high fidelity estimation of human body shape and pose.

cs.CV↗

arXiv2018

ARCHANGEL: Trusted Archives of Digital Public Documents

We present ARCHANGEL; a de-centralised platform for ensuring the long-term integrity of digital documents stored within public archives. Document integrity is fundamental to public trust in archives. Yet currently that trust is built upon institutional reputation --- trust at face value in a centralised authority, like a national government archive or University. ARCHANGEL proposes a shift to a technological underscoring of that trust, using distributed ledger technology (DLT) to cryptographically guarantee the provenance, immutability and so the integrity of archived documents. We describe the ARCHANGEL architecture, and report on a prototype of that architecture build over the Ethereum infrastructure. We report early evaluation and feedback of ARCHANGEL from stakeholders in the research data archives space.

cs.DL↗

arXiv2017

BAM! The Behance Artistic Media Dataset for Recognition Beyond Photography

Computer vision systems are designed to work well within the context of everyday photography. However, artists often render the world around them in ways that do not resemble photographs. Artwork produced by people is not constrained to mimic the physical world, making it more challenging for machines to recognize. This work is a step toward teaching machines how to categorize images in ways that are valuable to humans. First, we collect a large-scale dataset of contemporary artwork from Behance, a website containing millions of portfolios from professional and commercial artists. We annotate Behance imagery with rich attribute labels for content, emotions, and artistic media. Furthermore, we carry out baseline experiments to show the value of this dataset for artistic style prediction, for improving the generality of existing object classifiers, and for the study of visual domain adaptation. We believe our Behance Artistic Media dataset will be a good starting point for researchers wishing to study artistic imagery and relevant problems.

cs.CV↗

arXiv2016

Generalisation and Sharing in Triplet Convnets for Sketch based Visual Search

We propose and evaluate several triplet CNN architectures for measuring the similarity between sketches and photographs, within the context of the sketch based image retrieval (SBIR) task. In contrast to recent fine-grained SBIR work, we study the ability of our networks to generalise across diverse object categories from limited training data, and explore in detail strategies for weight sharing, pre-processing, data augmentation and dimensionality reduction. We exceed the performance of pre-existing techniques on both the Flickr15k category level SBIR benchmark by $18\%$, and the TU-Berlin SBIR benchmark by $\sim10 \mathcal{T}_b$, when trained on the 250 category TU-Berlin classification dataset augmented with 25k corresponding photographs harvested from the Internet.

cs.CV↗