arXiv subjects

Jorge Calvo-Zaragoza

Publications and source records attributed to Jorge Calvo-Zaragoza.

At least 19 recordsLinked to original sources

arXiv2026

Parameter-Efficient Fine-Tuning of Transformer Encoders for Audio-Image-Symbolic Music Retrieval

Score-based multimodal music retrieval requires representations that are both discriminative within each modality and compatible across audio recordings, sheet music images, and symbolic scores. This paper investigates the effectiveness of parameter-efficient fine-tuning (PEFT) for adapting pretrained music encoders and examines whether modality-specific improvements translate into better multimodal representations. We compare full fine-tuning, LoRA, and QLoRA across nine pretrained audio, image, and symbolic score encoders on TriScore and the Musical Theme Dataset. Encoders are first evaluated and selected through supervised unimodal classification, using frozen-encoder linear probing as a reference. We then introduce a controlled 2x2 design crossing encoder adaptation with task-specific shared projection, comparing frozen and adapted representations before and after projection. LoRA or QLoRA is selected in 14 of 18 modality-target combinations, frequently matching or outperforming full fine-tuning while optimizing substantially fewer parameters. However, these unimodal gains do not transfer uniformly to multimodal classification. Adaptation and projection are complementary for composer classification on TriScore, largely redundant for TriScore instrument and the Musical Theme Dataset instrument and ensemble tasks, and partially interfering for composer classification on the Musical Theme Dataset. The final adapted-and-projected title representation on TriScore supports piece-level retrieval, reaching average Top-5 and Top-10 accuracies of 55.32 and 64.68, respectively. Cross-modal exclusion and neighborhood analyses further reveal strong modality-specific local structure in the projected spaces. Overall, PEFT provides an effective and computationally efficient alternative to full fine-tuning, but improved unimodal discrimination alone does not guarantee better multimodal organization.

cs.CV↗

arXiv2026

Handwritten Text Recognition Lives in the High-Pixel Variance Subspace

In self-supervised pretraining for Handwritten Text Recognition (HTR), pixel reconstruction methods outperform contrastive methods, unlike in natural-image classification. We argue that this difference follows from where discriminative signal lies in pixel space: for HTR, it is concentrated in high-variance directions and largely absent from low-variance ones. This predicts that objectives preserving high-variance pixel content will transfer best. We test six SSL methods from three families (pixel-grounded MIM, JEPA, and contrastive) under matched encoder, data, and evaluation protocols on six handwriting benchmarks across five languages. With full labels, pixel-groundrounded SSL achieves the lowest CER on every benchmark and both frozen probes, exposes per-position character information that other families recover only through the readout, and is the only family to benefit from pretraining on real handwriting. Pixel-grounded representations are also more label efficient. Across datasets, encoder alignment with the high-variance pixel subspace predicts CER within every method. With a pretrained LLM decoder, a frozen pixel-grounded encoder is competitive with fully fine-tuned supervised baselines; full fine-tuning achieves the lowest mean CER and ranks first or second on every benchmark. These results show that the value of pixel reconstruction depends on where discriminative signal lies in the input.

cs.CV↗

arXiv2026

Exploring In-Context Learning for Handwritten Text Recognition

Handwritten Text Recognition (HTR) systems have become an indispensable tool for the digitization of historical documents. Not only do they cut down time and cost, but they also allow democratizing access and processing of their contents by generating their transcripts. However, literature in HTR currently focuses mostly on specialized models that require large amounts of annotated samples to achieve satisfactory performance. We explore the use of In-Context Learning with pre-trained Vision-Language Models (VLMs) to create a transcription pipeline without updating the model's parameters. We then evaluate this pipeline across multiple collections and models, and demonstrate that general-purpose VLMs can be effectively taught how to transcribe handwritten text from images. To assess how our observations may translate to practical applications, we evaluate the performance in a Cross-Domain (CD) scenario, where context examples are drawn from a different collection than the query image. Results in both the controlled In-Domain (ID) scenario and the realistic CD scenario follow the same patterns. First, as context size grows, the error range is expected to narrow towards the average performance. Thus, larger context sizes sacrifice the performance of the oracle-best sampling for lower expected error rates. The results obtained show that, without any parameter updates, this methodology has strong potential to compete with traditional HTR in the presence of domain shift. Moreover, we show and argue that some context samplings work better than others and suggest more effort should be put into finding an ideal sampling method in future work.

cs.CV↗

arXiv2026

Full-Page Optical Music Recognition of Handwritten Monophonic Scores

Full-page end-to-end Optical Music Recognition seeks to transcribe entire music pages directly into symbolic notation, avoiding the limitations of traditional pipelines that rely on accurate staff segmentation. Recent Transformer-based architectures have achieved strong performance on typeset scores, relying on large-scale synthetic data for pretraining. However, their applicability to handwritten music remains largely unexplored. In this work, we study full-page transcription on handwritten monophonic collections and analyze the impact of synthetic pretraining in this setting. To investigate which factors are most relevant during pretraining, we introduce a generator capable of producing visually coherent full-page scores in both typeset and handwritten styles. Experiments on three real handwritten datasets provide a comparative evaluation of several full-page pipelines and different synthetic pretraining strategies. The results suggest that the benefits of synthetic pretraining are primarily associated with learning structural layout conventions rather than with visual similarity to the target handwriting.

cs.CV↗

arXiv2026

Sheet Music Benchmark: Standardized Optical Music Recognition Evaluation

In this work, we introduce the Sheet Music Benchmark (SMB), a dataset of six hundred and eighty-five pages specifically designed to benchmark Optical Music Recognition (OMR) research. SMB encompasses a diverse array of musical textures, including monophony, pianoform, quartet, and others, all encoded in Common Western Modern Notation using the Humdrum **kern format. Alongside SMB, we introduce the OMR Normalized Edit Distance (OMR-NED), a new metric tailored explicitly for evaluating OMR performance. OMR-NED builds upon the widely-used Symbol Error Rate (SER), offering a fine-grained and detailed error analysis that covers individual musical elements such as note heads, beams, pitches, accidentals, and other critical notation features. The resulting numeric score provided by OMR-NED facilitates clear comparisons, enabling researchers and end-users alike to identify optimal OMR approaches. Our work thus addresses a long-standing gap in OMR evaluation, and we support our contributions with baseline experiments using standardized SMB dataset splits for training and assessing state-of-the-art methods.

cs.CV↗

arXiv2026

MuSViT: A Foundation Vision Model for Sheet Music Representation

Foundation models have transformed vision and language processing by providing rich, reusable representations that transfer across diverse tasks. Sheet music, as a visual encoding of musical language, lacks such a strong domain-specific backbone. We introduce MuSViT (Music Score Vision Transformer): the first foundation vision model for sheet music representation -- a ViT encoder pre-trained via Masked Autoencoders on 9.7 million pages from the IMSLP. To handle the complexity of real-world scores, we adopt a two-stage curriculum: a synthetic warm-up on typeset scores followed by large-scale training on the full IMSLP corpus. We evaluate MuSViT on four downstream tasks -- full-page and staff-level music score recognition, music symbol detection, and score difficulty classification -- under two scenarios: linear probing (frozen encoder) and fine-tuning. Under linear probing, MuSViT consistently outperforms modern vision encoders, revealing that general-purpose representations, regardless of scale, fall systematically short on the structured symbolic properties of musical notation. Under fine-tuning, MuSViT generally improves upon task-specific state-of-the-art methods. An additional embedding-transcription consistency analysis reveals that MuSViT encodes symbolic musical structure directly in its representation space -- unlike other encoders, whose embeddings do not correlate with music notation content. These results establish MuSViT as a foundation backbone for sheet music understanding.

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arXiv2026

Direct content-based retrieval from music scores images

The digitization of musical scores plays a crucial role in their preservation and accessibility, yet information retrieval still depends mainly on metadata searches, such as by title or composer. Content based search in music score images remains underexplored compared to text documents, despite its potential value for musicians, musicologists, and educators. This work contributes to the field by first studying which characteristics of a score are most relevant for search and by defining a systematic method to build query datasets from any annotated corpus. We also consider diverse methods for content-based search on music score images, ranging from transcription-based approaches relying on Optical Music Recognition (OMR), to a transcription-free Transformer model trained to recognize queries directly from score images, and a text-prompted Large Language Model. Our experiments evaluate these models on four corpora exhibiting diverse characteristics in terms of dataset size, image quality, and typesetting mechanisms. Overall, each method excels under different conditions: OMR-based pipelines achieve higher in-domain retrieval, whereas transcription-free models handle domain variability more effectively.

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arXiv2026

Zero-Shot Synthetic-to-Real Handwritten Text Recognition via Task Analogies

Handwritten Text Recognition (HTR) models trained on synthetic handwriting often struggle to generalize to real text, and existing adaptation methods still require real samples from the target domain. In this work, we tackle the fully zero-shot synthetic-to-real generalization setting, where no real data from the target language is available. Our approach learns how model parameters change when moving from synthetic to real handwriting in one or more source languages and transfers this learned correction to new target languages. When using multiple sources, we rely on linguistic similarity to weigh their contrubition when combining them. Experiments across five languages and six architectures show consistent improvements over synthetic-only baselines and reveal that the transferred corrections benefit even languages unrelated to the sources.

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arXiv2025

Optical Music Recognition of Jazz Lead Sheets

In this paper, we address the challenge of Optical Music Recognition (OMR) for handwritten jazz lead sheets, a widely used musical score type that encodes melody and chords. The task is challenging due to the presence of chords, a score component not handled by existing OMR systems, and the high variability and quality issues associated with handwritten images. Our contribution is two-fold. We present a novel dataset consisting of 293 handwritten jazz lead sheets of 163 unique pieces, amounting to 2021 total staves aligned with Humdrum **kern and MusicXML ground truth scores. We also supply synthetic score images generated from the ground truth. The second contribution is the development of an OMR model for jazz lead sheets. We discuss specific tokenisation choices related to our kind of data, and the advantages of using synthetic scores and pretrained models. We publicly release all code, data, and models.

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arXiv2025

End-to-End Full-Page Optical Music Recognition for Pianoform Sheet Music

Optical Music Recognition (OMR) has made significant progress since its inception, with various approaches now capable of accurately transcribing music scores into digital formats. Despite these advancements, most so-called end-to-end OMR approaches still rely on multi-stage processing pipelines for transcribing full-page score images, which entails challenges such as the need for dedicated layout analysis and specific annotated data, thereby limiting the general applicability of such methods. In this paper, we present the first truly end-to-end approach for page-level OMR in complex layouts. Our system, which combines convolutional layers with autoregressive Transformers, processes an entire music score page and outputs a complete transcription in a music encoding format. This is made possible by both the architecture and the training procedure, which utilizes curriculum learning through incremental synthetic data generation. We evaluate the proposed system using pianoform corpora, which is one of the most complex sources in the OMR literature. This evaluation is conducted first in a controlled scenario with synthetic data, and subsequently against two real-world corpora of varying conditions. Our approach is compared with leading commercial OMR software. The results demonstrate that our system not only successfully transcribes full-page music scores but also outperforms the commercial tool in both zero-shot settings and after fine-tuning with the target domain, representing a significant contribution to the field of OMR.

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arXiv2025

Spatial Context-based Self-Supervised Learning for Handwritten Text Recognition

Handwritten Text Recognition (HTR) is a relevant problem in computer vision, and implies unique challenges owing to its inherent variability and the rich contextualization required for its interpretation. Despite the success of Self-Supervised Learning (SSL) in computer vision, its application to HTR has been rather scattered, leaving key SSL methodologies unexplored. This work focuses on one of them, namely Spatial Context-based SSL. We investigate how this family of approaches can be adapted and optimized for HTR and propose new workflows that leverage the unique features of handwritten text. Our experiments demonstrate that the methods considered lead to advancements in the state-of-the-art of SSL for HTR in a number of benchmark cases.

cs.AI↗

arXiv2025

Self-Supervised Learning for Text Recognition: A Critical Survey

Text Recognition (TR) refers to the research area that focuses on retrieving textual information from images, a topic that has seen significant advancements in the last decade due to the use of Deep Neural Networks (DNN). However, these solutions often necessitate vast amounts of manually labeled or synthetic data. Addressing this challenge, Self-Supervised Learning (SSL) has gained attention by utilizing large datasets of unlabeled data to train DNN, thereby generating meaningful and robust representations. Although SSL was initially overlooked in TR because of its unique characteristics, recent years have witnessed a surge in the development of SSL methods specifically for this field. This rapid development, however, has led to many methods being explored independently, without taking previous efforts in methodology or comparison into account, thereby hindering progress in the field of research. This paper, therefore, seeks to consolidate the use of SSL in the field of TR, offering a critical and comprehensive overview of the current state of the art. We will review and analyze the existing methods, compare their results, and highlight inconsistencies in the current literature. This thorough analysis aims to provide general insights into the field, propose standardizations, identify new research directions, and foster its proper development.

cs.CV↗

arXiv2025

On the Generalization of Handwritten Text Recognition Models

Recent advances in Handwritten Text Recognition (HTR) have led to significant reductions in transcription errors on standard benchmarks under the i.i.d. assumption, thus focusing on minimizing in-distribution (ID) errors. However, this assumption does not hold in real-world applications, which has motivated HTR research to explore Transfer Learning and Domain Adaptation techniques. In this work, we investigate the unaddressed limitations of HTR models in generalizing to out-of-distribution (OOD) data. We adopt the challenging setting of Domain Generalization, where models are expected to generalize to OOD data without any prior access. To this end, we analyze 336 OOD cases from eight state-of-the-art HTR models across seven widely used datasets, spanning five languages. Additionally, we study how HTR models leverage synthetic data to generalize. We reveal that the most significant factor for generalization lies in the textual divergence between domains, followed by visual divergence. We demonstrate that the error of HTR models in OOD scenarios can be reliably estimated, with discrepancies falling below 10 points in 70\% of cases. We identify the underlying limitations of HTR models, laying the foundation for future research to address this challenge.

cs.LG↗

arXiv2025

Maritime Search and Rescue Missions with Aerial Images: A Survey

The speed of response by search and rescue teams at sea is of vital importance, as survival may depend on it. Recent technological advancements have led to the development of more efficient systems for locating individuals involved in a maritime incident, such as the use of Unmanned Aerial Vehicles (UAVs) equipped with cameras and other integrated sensors. Over the past decade, several researchers have contributed to the development of automatic systems capable of detecting people using aerial images, particularly by leveraging the advantages of deep learning. In this article, we provide a comprehensive review of the existing literature on this topic. We analyze the methods proposed to date, including both traditional techniques and more advanced approaches based on machine learning and neural networks. Additionally, we take into account the use of synthetic data to cover a wider range of scenarios without the need to deploy a team to collect data, which is one of the major obstacles for these systems. Overall, this paper situates the reader in the field of detecting people at sea using aerial images by quickly identifying the most suitable methodology for each scenario, as well as providing an in-depth discussion and direction for future trends.

cs.CV↗

arXiv2025

Handwritten Text Recognition: A Survey

Handwritten Text Recognition (HTR) has become an essential field within pattern recognition and machine learning, with applications spanning historical document preservation to modern data entry and accessibility solutions. The complexity of HTR lies in the high variability of handwriting, which makes it challenging to develop robust recognition systems. This survey examines the evolution of HTR models, tracing their progression from early heuristic-based approaches to contemporary state-of-the-art neural models, which leverage deep learning techniques. The scope of the field has also expanded, with models initially capable of recognizing only word-level content progressing to recent end-to-end document-level approaches. Our paper categorizes existing work into two primary levels of recognition: (1) \emph{up to line-level}, encompassing word and line recognition, and (2) \emph{beyond line-level}, addressing paragraph- and document-level challenges. We provide a unified framework that examines research methodologies, recent advances in benchmarking, key datasets in the field, and a discussion of the results reported in the literature. Finally, we identify pressing research challenges and outline promising future directions, aiming to equip researchers and practitioners with a roadmap for advancing the field.

cs.CV↗

arXiv2024

Aligned Music Notation and Lyrics Transcription

The digitization of vocal music scores presents unique challenges that go beyond traditional Optical Music Recognition (OMR) and Optical Character Recognition (OCR), as it necessitates preserving the critical alignment between music notation and lyrics. This alignment is essential for proper interpretation and processing in practical applications. This paper introduces and formalizes, for the first time, the Aligned Music Notation and Lyrics Transcription (AMNLT) challenge, which addresses the complete transcription of vocal scores by jointly considering music symbols, lyrics, and their synchronization. We analyze different approaches to address this challenge, ranging from traditional divide-and-conquer methods that handle music and lyrics separately, to novel end-to-end solutions including direct transcription, unfolding mechanisms, and language modeling. To evaluate these methods, we introduce four datasets of Gregorian chants, comprising both real and synthetic sources, along with custom metrics specifically designed to assess both transcription and alignment accuracy. Our experimental results demonstrate that end-to-end approaches generally outperform heuristic methods in the alignment challenge, with language models showing particular promise in scenarios where sufficient training data is available. This work establishes the first comprehensive framework for AMNLT, providing both theoretical foundations and practical solutions for preserving and digitizing vocal music heritage.

cs.CV↗

arXiv2024

Proceedings of the 6th International Workshop on Reading Music Systems

The International Workshop on Reading Music Systems (WoRMS) is a workshop that tries to connect researchers who develop systems for reading music, such as in the field of Optical Music Recognition, with other researchers and practitioners that could benefit from such systems, like librarians or musicologists. The relevant topics of interest for the workshop include, but are not limited to: Music reading systems; Optical music recognition; Datasets and performance evaluation; Image processing on music scores; Writer identification; Authoring, editing, storing and presentation systems for music scores; Multi-modal systems; Novel input-methods for music to produce written music; Web-based Music Information Retrieval services; Applications and projects; Use-cases related to written music. These are the proceedings of the 6th International Workshop on Reading Music Systems, held Online on November 22nd 2024.

cs.CV↗

arXiv2024

Sheet Music Transformer: End-To-End Optical Music Recognition Beyond Monophonic Transcription

State-of-the-art end-to-end Optical Music Recognition (OMR) has, to date, primarily been carried out using monophonic transcription techniques to handle complex score layouts, such as polyphony, often by resorting to simplifications or specific adaptations. Despite their efficacy, these approaches imply challenges related to scalability and limitations. This paper presents the Sheet Music Transformer, the first end-to-end OMR model designed to transcribe complex musical scores without relying solely on monophonic strategies. Our model employs a Transformer-based image-to-sequence framework that predicts score transcriptions in a standard digital music encoding format from input images. Our model has been tested on two polyphonic music datasets and has proven capable of handling these intricate music structures effectively. The experimental outcomes not only indicate the competence of the model, but also show that it is better than the state-of-the-art methods, thus contributing to advancements in end-to-end OMR transcription.

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