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Kobi Abayomi

Publications and source records attributed to Kobi Abayomi.

3 recordsLinked to original sources

Weather Jiu-Jitsu: Exploring the Feasibility of Control Paradigms in Weather Foundation Models

Weather Jiu-Jitsu is a control paradigm for extreme climatological events, inspired by chaos theory. As a proposition, small, precise, targeted, and cost-inexpensive perturbations can redirect trajectories of a large dynamical system. This strategy has been demonstrated analytically in the Lorenz-63 system, where a naturally chaotic trajectory switching between two attractors can be confined to a single attractor, indefinitely, via arbitrarily small perturbations. This paper examines the feasibility of Microsoft's Aurora -- a 1.3 billion parameter global atmospheric model -- as a test bed for this strategy. This paper explores three questions: (1) Is Aurora a reliable enough simulation environment to serve as a meaningful testbed? (2) Are the perturbations required to redirect its trajectories small enough to be physically plausible? (3) Does Aurora's learned latent space (the parametric estimators on climatological attributes) yield any apparent, structured, and/or perhaps interpretable features that can convey a geo/atmospheric response to initial conditions? We find evidence consistent with all three: Aurora's modeled trajectories respond to perturbations beyond measurement drift, the perturbation magnitudes required are small relative to the model's own forecast uncertainty, and its latent representations exhibit directional structure that responds to Jiu-Jitsu-type interventions, even though that structure does not separate extreme from normal states outright. These results should be read as feasibility diagnostics rather than a demonstration of control: we do not implement or test an actual steering intervention on Aurora, and several of our findings, particularly around the model's latent-space geometry, are exploratory.

physics.ao-ph↗

How & Why To Use Audience Segmentation to Maximize (Listener) Demand Across Digital Music Portfolio

Digital delivery of songs has radically changed the way people can enjoy music, the sort of music available for listening, and the manner by which rights holders are compensated for their contributions to songs. Listeners enjoy an unlimited potpourri of sounds, uniquely free of incremental acquisition or switching costs which have been replaced by subscription or rentier fees. This regime shift has revealed listening patterns governed by affinity, boredom, attention budget, etc.: instantaneous, dynamic, organic or programmatic song selection. This regime shift in demand availability -- with the commensurate translation of revenue implications -- deprecates current orthodoxy for content curation. The impulse to point-of-sale model is insufficient in a regime where demand revenue is proportional to demand affinity and each are strongly dependent time series processes. We explore strategies & implications -- which are generalizable to any media rights holding firm -- from a prediction & optimization point of view for two straightforward demand models.

econ.GN↗

Open Set Recognition For Music Genre Classification

We explore segmentation of known and unknown genre classes using the open source GTZAN and FMA datasets. For each, we begin with best-case closed set genre classification, then we apply open set recognition methods. We offer an algorithm for the music genre classification task using OSR. We demonstrate the ability to retrieve known genres and as well identification of aural patterns for novel genres (not appearing in a training set). We conduct four experiments, each containing a different set of known and unknown classes, using the GTZAN and the FMA datasets to establish a baseline capacity for novel genre detection. We employ grid search on both OpenMax and softmax to determine the optimal total classification accuracy for each experimental setup, and illustrate interaction between genre labelling and open set recognition accuracy.

eess.AS↗