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Sreeharsha Paruchuri

Publications and source records attributed to Sreeharsha Paruchuri.

2 recordsLinked to original sources

TrackEverything: Long Horizon Dense Tracking via De-Duplicating 3D Scene Representations

Existing point tracking models face a fundamental tradeoff: they can either track a sparse set of query points over long horizons, or track all points across only short clips. We introduce TrackEverything, a 3D point tracker that breaks this trade-off by representing videos as persistent 3D scene tracks in world coordinates. Grounded in the insight that videos are 2D projections of an underlying 3D world, TrackEverything decouples model complexity from video duration, allowing it to scale with unique physical scene geometry instead. Our approach introduces three key innovations. First, we employ a voxelization-based de-duplication mechanism at sliding-window boundaries to merge co-located tracks, preventing repeated observations of the same surface from redundantly accumulating. Second, we decompose tracking into an endpoint refiner that predicts each point's destination and static-versus-dynamic classification, followed by a lightweight trajectory refiner that decodes dense trajectories exclusively for dynamic points. Third, we propose 3D WAFT, replacing memory-prohibitive 4D correlation volumes with efficient feature sampling in the scene cloud. To the best of our knowledge, TrackEverything is the first 3D tracker capable of tracking all visible points across videos exceeding 1000 frames within 40 GB of GPU memory. On TAPVid-3D, TrackEverything outperforms all open-source all-frame dense 3D trackers by more than 20% APD on short clips, while remaining competitive with state-of-the-art sparse trackers on long sequences, despite tracking far more points.

cs.CV↗

How Much do Lyrics Matter? Analysing Lyrical Simplicity Preferences for Individuals At Risk of Depression

Music affects and in some cases reflects one's emotional state. Key to this influence is lyrics and their meaning in conjunction with the acoustic properties of the track. Recent work has focused on analysing these acoustic properties and showing that individuals prone to depression primarily consume low valence and low energy music. However, no studies yet have explored lyrical content preferences in relation to online music consumption of such individuals. In the current study, we examine lyrical simplicity, measured as the Compressibility and Absolute Information Content of the text, associated with preferences of individuals at risk for depression. Using the six-month listening history of 541 Last.fm users, we compare lyrical simplicity trends for users grouped as being at risk (At-Risk) of depression from those that are not (No-Risk). Our findings reveal that At-Risk individuals prefer songs with greater information content (lower Compressibility) on average, especially for songs characterised as Sad. Furthermore, we found that At-Risk individuals also have greater variability of Absolute Information Content across their listening history. We discuss the results in light of existing socio-psychological lab-based research on music habits associated with depression and their relevance to naturally occurring online music listening behaviour.

cs.CL↗