Search arXivSearch

arXiv · 2410.19719

Arabic Music Classification and Generation using Deep Learning

Abstract

This paper proposes a machine learning approach for classifying classical and new Egyptian music by composer and generating new similar music. The proposed system utilizes a convolutional neural network (CNN) for classification and a CNN autoencoder for generation. The dataset used in this project consists of new and classical Egyptian music pieces composed by different composers. To classify the music by composer, each sample is normalized and transformed into a mel spectrogram. The CNN model is trained on the dataset using the mel spectrograms as input features and the composer labels as output classes. The model achieves 81.4\% accuracy in classifying the music by composer, demonstrating the effectiveness of the proposed approach. To generate new music similar to the original pieces, a CNN autoencoder is trained on a similar dataset. The model is trained to encode the mel spectrograms of the original pieces into a lower-dimensional latent space and then decode them back into the original mel spectrogram. The generated music is produced by sampling from the latent space and decoding the samples back into mel spectrograms, which are then transformed into audio. In conclusion, the proposed system provides a promising approach to classifying and generating classical Egyptian music, which can be applied in various musical applications, such as music recommendation systems, music production, and music education.

Explore related subjects

Keep this discovery

Explore connections, maps & timelines

BibTeXRIS

Mohamed Elshaarawy, Ashrakat Saeed, Mariam Sheta, Abdelrahman Said, Asem Bakr, Omar Bahaa, Walid Gomaa. 2024-10-25. Arabic Music Classification and Generation using Deep Learning. https://arxiv.org/abs/2410.19719

Cite the original work for its findings. Save a collection to share your selection of sources.

KEEP EXPLORING

Related papers

MENASpeechBank: A Reference Voice Bank with Persona-Conditioned Multi-Turn Conversations for AudioLLMs

Audio large language models (AudioLLMs) enable instruction following over speech and general audio, but progress is limited by the scarcity of diverse, conversational, and instruction-aligned speech--text data. This gap is particularly pronounced for persona-grounded and dialectal interactions, where collecting real multi-speaker recordings remains costly and slow. We introduce MENASpeechBank, a reference speech bank comprising ~18K high-quality utterances from 124 speakers spanning multiple MENA countries, covering English, Modern Standard Arabic (MSA), and regional Arabic varieties. We develop a controllable data pipeline that (i) constructs persona profiles enriched with World Values Survey (WVS) inspired attributes, (ii) defines a taxonomy driven ~5Kconversational scenarios, (iii) matches personas to scenarios via semantic similarity, (iv) generates ~417K role-play conversations with an LLM where the user speaks as the persona and the assistant behaves as a helpful agent, and (v) produces speaker-conditioned user-turn audio (synthetic) from reference recordings to preserve speaker diversity. We evaluate synthetic and human recorded conversations and provide an analysis. We will make the MENASpeechBank available for the community.(\href{https://huggingface.co/datasets/QCRI/MenaSpeechBank)

cs.SD

A Training-Free Proactive Defense Against Partial Speech Manipulation via Self-Embedding Steganography

Partial deepfake speech, where only limited segments of an utterance are synthesized or manipulated, poses a significant challenge to existing deepfake detection systems. As the proportion of spoofed regions decreases, passive detectors become increasingly unreliable, and accurate detection and restoration remain challenging. In this paper, we revisit audio steganography from a new perspective and propose its use as a proactive defense against partially deepfaked audio. In particular, we consider a self-embedding strategy in which a clean speech signal embeds a compressed representation of itself, enabling post-hoc extraction of reference content. We demonstrate how existing audio steganography methods can be repurposed to support detection of partial deepfakes through codec-based restoration. Experiments on a benchmark dataset show that the proposed approach complements passive defenses. Remarkably, the proposed method operates without any training, providing a robust and data-efficient alternative for partial deepfake detection.

cs.SD

CPR: Combining global composing, local performing and full-sequence refining in piano rendering with continuous autoregressive modelling

Prompt-conditioned piano MIDI-to-Music rendering aims to faithfully render target notes while reproducing the timbre of a reference recording. Existing approaches primarily follow two paradigms: autoregressive (AR) modeling and flow matching (or diffusion). Discrete-codec AR models provide causal temporal modeling, but quantization can discard acoustic detail. Flow matching better preserves acoustic structure in the cost of full-sequence attention costs and worse semantic structure. Continuous autoregressive models operate directly on continuous representations. It not only combines the condition-following ability of AR models and distribution-modeling capacity of flow matching but also bypasses the quantization bottleneck with lower computational costs. Building on this principle, we present Composer--Performer--Refiner (CPR) framework. Composer autoregressively predicts continuous hidden states, Performer generates 24kHz acoustic latents through local flow matching and Refiner then upsamples the waveform to 48 kHz. We further introduce Bottlenecked Representation Alignment (BREPA) and Modality--Time RoPE (MT-RoPE) to strengthen musical semantic structure in Composer hidden states and temporal alignments across modalities. Codes are available at https://github.com/FEAfeatherTHER/CPR_official

cs.SD