Search arXiv⌕ Search
Home/Archive/arXiv

arXiv · 2501.03523

Vocal Tract Length Warped Features for Spoken Keyword Spotting

Achintya kr. Sarkar·Priyanka Dwivedi·Zheng-Hua Tan
View original source ↗Read source document ↗Export metadata ↓

Abstract

In this paper, we propose several methods that incorporate vocal tract length (VTL) warped features for spoken keyword spotting (KWS). The first method, VTL-independent KWS, involves training a single deep neural network (DNN) that utilizes VTL features with various warping factors. During training, a specific VTL feature is randomly selected per epoch, allowing the exploration of VTL variations. During testing, the VTL features with different warping factors of a test utterance are scored against the DNN and combined with equal weight. In the second method scores the conventional features of a test utterance (without VTL warping) against the DNN. The third method, VTL-concatenation KWS, concatenates VTL warped features to form high-dimensional features for KWS. Evaluations carried out on the English Google Command dataset demonstrate that the proposed methods improve the accuracy of KWS.

Explore related subjects

cs.SDcs.AIcs.LGeess.AS

Keep this discovery

Explore connections, maps & timelines

BibTeXRIS

Achintya kr. Sarkar, Priyanka Dwivedi, Zheng-Hua Tan. 2025-01-07. Vocal Tract Length Warped Features for Spoken Keyword Spotting. https://arxiv.org/abs/2501.03523

Cite the original work for its findings. Save a collection to share your selection of sources.

KEEP EXPLORING

Related papers

arXiv2026

Text-only adaptation in LLM-based ASR through text denoising

Adapting large language model (LLM)-based automatic speech recognition (ASR) systems to new domains using text-only data is a significant yet underexplored challenge. Standard fine-tuning of the LLM on the target domain text often disrupts the critical alignment between the speech and text modality learned by the projector, degrading performance. We introduce a novel text-only adaptation method that frames this process as a text denoising task. Our approach trains the LLM to recover clean transcripts from noisy inputs. This process effectively adapts the model to a target domain while preserving cross-modal alignment. Our solution is lightweight, requiring no architectural changes or additional parameters. Extensive evaluation on two datasets demonstrates up to 22.1% relative improvement, outperforming recent state-of-the-art text-only adaptation methods.

cs.SD↗
arXiv2026

Discrete vs. Continuous: A Comprehensive Study of Unified Audio Understanding in LALMs

Large Audio Language Models (LALMs) utilize either continuous features or discrete tokens, yet the optimal representation paradigm for general audio understanding remains debated. Existing benchmarks often focus on narrow domains or evaluate encoders outside LALM contexts. To address these gaps, we systematically evaluate continuous and discrete representations across speech, sound and music. Utilizing our UniARC framework with dual evaluation strategies across model scales from SmolLM2-135M to Llama-3-8B, we analyze the dynamic relationships of data volume, model capacity, and computational efficiency. Our results reveal the pivotal role of semantic constraints in tokenization for audio understanding and demonstrate that scaling backbones fail to compensate for information loss in audio representation, especially in data-limited tasks. These findings offer practical guidance for balancing semantic density, fidelity, and efficiency in future LALMs.

cs.SD↗
arXiv2026

Synthesis and editing of multi-instrument audio mixtures using scalar-quantised latents with MIDI Span conditioning

Music creation often involves iterative refinement, changing selected musical details while retaining the rest. To support such refinement, we introduce SpanSynth-Edit, a flow-matching model for MIDI-guided synthesis and editing of multi-instrument audio mixtures using low-frame-rate scalar-quantised latents. MIDI Span encodes instrument-labelled note lifecycles as unordered event sets with continuous-valued attributes and pools each set into one conditioning vector per audio-latent frame. The model uses contextual audio for instrument-specific timbre guidance and supports editing by resynthesising the target region from revised MIDI. Experiments on single- and multi-instrument benchmarks show competitive performance and demonstrate within-frame onset control. We also discuss limitations of transcription-based note-adherence evaluation.

cs.SD↗