Search arXivSearch

arXiv · 2509.07038

Controllable Singing Voice Synthesis using Phoneme-Level Energy Sequence

Abstract

Controllable Singing Voice Synthesis (SVS) aims to generate expressive singing voices reflecting user intent. While recent SVS systems achieve high audio quality, most rely on probabilistic modeling, limiting precise control over attributes such as dynamics. We address this by focusing on dynamic control--temporal loudness variation essential for musical expressiveness--and explicitly condition the SVS model on energy sequences extracted from ground-truth spectrograms, reducing annotation costs and improving controllability. We also propose a phoneme-level energy sequence for user-friendly control. To the best of our knowledge, this is the first attempt enabling user-driven dynamics control in SVS. Experiments show our method achieves over 50% reduction in mean absolute error of energy sequences for phoneme-level inputs compared to baseline and energy-predictor models, without compromising synthesis quality.

Explore related subjects

Keep this discovery

Explore connections, maps & timelines

BibTeXRIS

Yerin Ryu, Inseop Shin, Chanwoo Kim. 2025-09-08. Controllable Singing Voice Synthesis using Phoneme-Level Energy Sequence. https://arxiv.org/abs/2509.07038

Cite the original work for its findings. Save a collection to share your selection of sources.

KEEP EXPLORING

Related papers

Text-only adaptation in LLM-based ASR through text denoising

Adapting large language model (LLM)-based automatic speech recognition (ASR) systems to new domains using text-only data is a significant yet underexplored challenge. Standard fine-tuning of the LLM on the target domain text often disrupts the critical alignment between the speech and text modality learned by the projector, degrading performance. We introduce a novel text-only adaptation method that frames this process as a text denoising task. Our approach trains the LLM to recover clean transcripts from noisy inputs. This process effectively adapts the model to a target domain while preserving cross-modal alignment. Our solution is lightweight, requiring no architectural changes or additional parameters. Extensive evaluation on two datasets demonstrates up to 22.1% relative improvement, outperforming recent state-of-the-art text-only adaptation methods.

cs.SD

Discrete vs. Continuous: A Comprehensive Study of Unified Audio Understanding in LALMs

Large Audio Language Models (LALMs) utilize either continuous features or discrete tokens, yet the optimal representation paradigm for general audio understanding remains debated. Existing benchmarks often focus on narrow domains or evaluate encoders outside LALM contexts. To address these gaps, we systematically evaluate continuous and discrete representations across speech, sound and music. Utilizing our UniARC framework with dual evaluation strategies across model scales from SmolLM2-135M to Llama-3-8B, we analyze the dynamic relationships of data volume, model capacity, and computational efficiency. Our results reveal the pivotal role of semantic constraints in tokenization for audio understanding and demonstrate that scaling backbones fail to compensate for information loss in audio representation, especially in data-limited tasks. These findings offer practical guidance for balancing semantic density, fidelity, and efficiency in future LALMs.

cs.SD

Synthesis and editing of multi-instrument audio mixtures using scalar-quantised latents with MIDI Span conditioning

Music creation often involves iterative refinement, changing selected musical details while retaining the rest. To support such refinement, we introduce SpanSynth-Edit, a flow-matching model for MIDI-guided synthesis and editing of multi-instrument audio mixtures using low-frame-rate scalar-quantised latents. MIDI Span encodes instrument-labelled note lifecycles as unordered event sets with continuous-valued attributes and pools each set into one conditioning vector per audio-latent frame. The model uses contextual audio for instrument-specific timbre guidance and supports editing by resynthesising the target region from revised MIDI. Experiments on single- and multi-instrument benchmarks show competitive performance and demonstrate within-frame onset control. We also discuss limitations of transcription-based note-adherence evaluation.

cs.SD