Search arXivSearch

arXiv · 2512.00120

Art2Music: Generating Music for Art Images with Multi-modal Feeling Alignment

Abstract

With the rise of AI-generated content (AIGC), generating perceptually natural and feeling-aligned music from multimodal inputs has become a central challenge. Existing approaches often rely on explicit emotion labels that require costly annotation, underscoring the need for more flexible feeling-aligned methods. To support multimodal music generation, we construct ArtiCaps, a pseudo feeling-aligned image-music-text dataset created by semantically matching descriptions from ArtEmis and MusicCaps. We further propose Art2Music, a lightweight cross-modal framework that synthesizes music from artistic images and user comments. In the first stage, images and text are encoded with OpenCLIP and fused using a gated residual module; the fused representation is decoded by a bidirectional LSTM into Mel-spectrograms with a frequency-weighted L1 loss to enhance high-frequency fidelity. In the second stage, a fine-tuned HiFi-GAN vocoder reconstructs high-quality audio waveforms. Experiments on ArtiCaps show clear improvements in Mel-Cepstral Distortion, Frechet Audio Distance, Log-Spectral Distance, and cosine similarity. A small LLM-based rating study further verifies consistent cross-modal feeling alignment and offers interpretable explanations of matches and mismatches across modalities. These results demonstrate improved perceptual naturalness, spectral fidelity, and semantic consistency. Art2Music also maintains robust performance with only 50k training samples, providing a scalable solution for feeling-aligned creative audio generation in interactive art, personalized soundscapes, and digital art exhibitions.

Explore related subjects

Keep this discovery

Explore connections, maps & timelines

BibTeXRIS

Jiaying Hong, Ting Zhu, Thanet Markchom, Huizhi Liang. 2025-11-27. Art2Music: Generating Music for Art Images with Multi-modal Feeling Alignment. https://arxiv.org/abs/2512.00120

Cite the original work for its findings. Save a collection to share your selection of sources.

KEEP EXPLORING

Related papers

Streaming Generation for Music Accompaniment

Music generation models can produce high-fidelity coherent accompaniment given complete audio input, but are limited to editing and loop-based workflows. We study real-time audio-to-audio accompaniment: as a model hears an input audio stream (e.g., a singer singing), it has to also simultaneously generate in real-time a coherent accompanying stream (e.g., a guitar accompaniment). In this work, we propose a model design considering inevitable system delays in practical deployment with two design variables: future visibility $t_f$, the offset between the output playback time and the latest input time used for conditioning, and output chunk duration $k$, the number of frames emitted per call. We train Transformer decoders across a grid of $(t_f,k)$ and show two consistent trade-offs: increasing effective $t_f$ improves coherence by reducing the recency gap, but requires faster inference to stay within the latency budget; increasing $k$ improves throughput but results in degraded accompaniment due to a reduced update rate. Finally, we observe that naive maximum-likelihood streaming training is insufficient for coherent accompaniment where future context is not available, motivating advanced anticipatory and agentic objectives for live jamming.

cs.SD

M-CIF: Multi-Scale Alignment For CIF-Based Non-Autoregressive ASR

The Continuous Integrate-and-Fire (CIF) mechanism provides effective alignment for non-autoregressive (NAR) speech recognition. This mechanism creates a smooth and monotonic mapping from acoustic features to target tokens, achieving performance on Mandarin competitive with other NAR approaches. However, without finer-grained guidance, its stability degrades in some languages such as English and French. In this paper, we propose Multi-scale CIF (M-CIF), which performs multi-level alignment by integrating character and phoneme level supervision progressively distilled into subword representations, thereby enhancing robust acoustic-text alignment. Experiments show that M-CIF reduces WER compared to the Paraformer baseline, especially on CommonVoice by 4.21% in German and 3.05% in French. To further investigate these gains, we define phonetic confusion errors (PE) and space-related segmentation errors (SE) as evaluation metrics. Analysis of these metrics across different M-CIF settings reveals that the phoneme and character layers are essential for enhancing progressive CIF alignment.

cs.SD

Decoding Order Matters in Autoregressive Speech Synthesis

Autoregressive speech synthesis often adopts a left-to-right order, yet generation order is a modelling choice. We investigate decoding order through masked diffusion framework, which progressively unmasks positions and allows arbitrary decoding orders during training and inference. By interpolating between identity and random permutations, we show that randomness in decoding order affects speech quality. We further compare fixed strategies, such as \texttt{l2r} and \texttt{r2l} with adaptive ones, such as Top-$K$, finding that fixed-order decoding, including the dominating left-to-right approach, is suboptimal, while adaptive decoding yields better performance. Finally, since masked diffusion requires discrete inputs, we quantise acoustic representations and find that even 1-bit quantisation can support reasonably high-quality speech.

cs.SD