Search arXiv⌕ Search

arXiv · 2609.34853

EviSplat: Preserving Multi-View Evidence in 3D Gaussian Splatting for Open-Vocabulary Segmentation

Abstract

Open-vocabulary 3D scene understanding enables object localization and segmentation from free-form text queries without a fixed category vocabulary. Many recent methods build on 3D Gaussian Splatting and consolidate multi-view observations, such as masked crops from individual views, into language features or compact object descriptors before the query is known. However, observations of the same object vary across viewpoints and are not equally informative: some reveal cues relevant to a particular query, whereas others provide incomplete or misleading evidence. Pre-query consolidation can therefore suppress cues on which a later query depends. We introduce EviSplat, which preserves individual observation features as evidence for later text queries. EviSplat retains individual observation features within class-agnostic 3D instances that represent objects, object parts, or background regions. It also learns, for each Gaussian, a distribution describing which visual appearances its observations support. Given a text query, EviSplat scores each instance using its most relevant observations. It then computes a score for each Gaussian by combining instance-level relevance with locally supported evidence, weighted by how often and how unambiguously that Gaussian was observed. Different queries can thus draw on different visual cues from the same preserved evidence. Experiments across diverse datasets and evaluation protocols demonstrate state-of-the-art performance, supporting the benefit of preserving multi-view evidence until query time and aggregating it according to the query.

Explore related subjects

Keep this discovery

Explore connections, maps & timelines

BibTeXRIS

Sungho Moon, Kota Shimomura, Junwoo Park, Wonhyeok Choi, Seunghun Lee, Takayoshi Yamashita, Sunghoon Im. 2026-09-28. EviSplat: Preserving Multi-View Evidence in 3D Gaussian Splatting for Open-Vocabulary Segmentation. https://arxiv.org/abs/2609.34853

Cite the original work for its findings. Save a collection to share your selection of sources.

KEEP EXPLORING

Related papers

Event-based Scene Synthesis via Inter-Frame Residual Alignment

Event-based scene synthesis reconstructs target RGB frames from sparse image observations and asynchronous event streams, encompassing both video frame prediction and interpolation. Existing event-based synthesis methods commonly estimate optical flow to warp the observed frames toward the target time, but are vulnerable to inaccurate flow under large motion and occlusion and often rely on flow supervision or pretrained estimators. In this work, we propose EvFRA, an Event-based scene synthesis framework based on inter-Frame Residual Alignment. We identify a structural correspondence between event measurements and frame-to-frame scene changes, and exploit this correspondence for target frame synthesis. Our training pipeline consists of two stages: 1) an Event-to-Residual Alignment Variational Autoencoder (ER-VAE) aligns the event frame captured between the anchor and target frames with the corresponding inter-frame residual, and 2) a ControlNet-conditioned diffusion model is fine-tuned to denoise the residual latent using event data. Our method outperforms state-of-the-art methods by up to 2.61 dB and 1.85 dB in PSNR for frame prediction and interpolation, respectively, with consistent SSIM improvements. Code is available at https://github.com/jiyun-kong/EvFRA.

cs.CV↗

From Concept Erasure to Style Purification: Contrastive Eigenbases for Artist Style Protection

Text-to-image diffusion models can reproduce specific artists visual styles at extremely low cost, raising copyright and deployment safety concerns about unauthorized style mimicry. Existing model-side protection methods generally follow ordinary concept erasure, emphasizing aggressive deletion or redirection of target styles. However, our causal intervention analysis shows that the central issue is not insufficient erasure strength, but a mismatch between artist styles and this paradigm: unlike ordinary object concepts, artist styles do not form compact, localized editable semantic units. Consequently, sparse editing and fixed retain lists struggle to suppress target styles while preserving generation utility. We therefore reformulate artist style protection as style purification, suppressing target style expression during inference while preserving the requested content and visual structure. We propose CAPE (Contrastive Artist Style Purification with Eigenbases), a training-free framework against artist style mimicry. CAPE constructs contrastive triplets around the target request and formulates style direction estimation as a generalized eigenvalue problem, capturing style-related directions that remain stable across content variations and are less affected by shared content. During inference, CAPE employs the Adaptive Suppression Controller to assign suppression strengths to different tokens based on Q, K, and V responses, and performs target style suppression on the K and V paths of self-attention. Experimental results show that CAPE effectively weakens target artist characteristics, including brushstrokes, textures, and local color processing, while better preserving major semantic entities, scene composition, and visual structures.

cs.CV↗

Evaluating Generative Models via One-Dimensional Code Distributions

Most evaluations of generative models rely on feature-distribution metrics such as FID, which operate on continuous recognition features that are explicitly trained to be invariant to appearance variations, and thus discard cues critical for perceptual quality. We instead evaluate models in the space of discrete visual tokens, where modern 1D image tokenizers compactly encode both semantic and perceptual information and quality manifests as predictable token statistics. We introduce Codebook Histogram Distance (CHD), a training-free distribution metric in token space, and Code Mixture Model Score (CMMS), a no-reference quality metric learned from synthetic degradations of token sequences. To stress-test metrics under broad distribution shifts, we further propose VisForm, a benchmark of 210K images spanning 62 visual forms and 12 generative models with expert annotations. Across AGIQA, HPDv2/3, and VisForm, our token-based metrics achieve state-of-the-art correlation with human judgments. We will release all code and datasets to facilitate future research, with the code publicly available at https://github.com/zexiJia/1d-Distance.

cs.CV↗