Search arXiv⌕ Search

arXiv · 2610.28940

StyleStream 2.0: Fast and Controllable Streaming Voice Style Conversion

Abstract

Voice style conversion (VSC) aims to transform a source utterance to match the timbre, accent, and emotion of a target voice while preserving linguistic content. StyleStream 1.0 introduced the first streamable zero-shot VSC system with state-of-the-art conversion quality, but remained limited in two ways: approximately 1s end-to-end latency on consumer hardware, and the lack of a text-based interface for designing or editing target voices. We present StyleStream 2.0, a fast and controllable streaming VSC framework that addresses these limitations. To reduce latency, we train a few-step pixel MeanFlow model and further fine-tune it with autoregressive feedback inspired by Self Forcing, improving robustness under streaming inference. This reduces end-to-end latency to 520~ms on a consumer GPU, a 2x speedup over StyleStream 1.0, while maintaining conversion quality. To enable controllable style manipulation, we remove the mel-spectrogram context and instead route target style information through a compact style embedding. In this embedding space, we train a unified text-conditioned flow matching model that supports both text-based voice design, which maps natural language prompts to voice styles, and instruction-based voice editing, which modifies a specific attribute of a source utterance while preserving the rest. Experiments show that StyleStream 2.0 achieves the strongest target style fidelity on VSC, voice design, and voice editing, while remaining competitive on intelligibility and non-edited attribute preservation.

Explore related subjects

Keep this discovery

Explore connections, maps & timelines

BibTeXRIS

Yisi Liu, Nicholas Lee, Gopala K. Anumanchipalli. 2026-10-20. StyleStream 2.0: Fast and Controllable Streaming Voice Style Conversion. https://arxiv.org/abs/2610.28940

Cite the original work for its findings. Save a collection to share your selection of sources.

KEEP EXPLORING

Related papers

LARA-Gen: Enabling Continuous Emotion Control for Music Generation Models via Latent Affective Representation Alignment

Recent advances in text-to-music models have enabled coherent music generation from text prompts, yet fine-grained emotional control remains unresolved. We introduce LARA-Gen, a framework for continuous emotion control that aligns the internal hidden states with an external music understanding model through Latent Affective Representation Alignment (LARA), enabling effective training. In addition, we design an emotion control module based on a continuous valence-arousal space, disentangling emotional attributes from textual content and bypassing the bottlenecks of text-based prompting. Furthermore, we establish a benchmark with a curated test set and a robust Emotion Predictor, facilitating objective evaluation of emotional controllability in music generation. Extensive experiments demonstrate that LARA-Gen achieves continuous, fine-grained control of emotion and significantly outperforms baselines in both emotion adherence and music quality. Generated samples are available at https://anonymous2232330.github.io/laragen-web/.

cs.SD↗

Resonance and Depth: Composing Timbral Identity and Spatial Form in an Artist-in-the-Loop Co-Creative Multi-Agent Percussive Performance

This research-creation artistic report presents Resonance and Depth, a 9-minute immersive electroacoustic/acousmatic performance that treats timbre and space as primary compositional materials. Built from live electronic percussion and a personal corpus recorded, curated, and composed by the author, the work investigates how timbral identity and musical form can emerge through real-time recombination, spatialisation, and performer-system interaction rather than conventional harmonic development. The performance is realised as an artist-in-the-loop co-creative multi-agent system integrating MACAT, MACataRT, a MIDI-based musical agent, a spatialisation layer, and a conductor agent. These components recombine and transform the performer's material through concatenative synthesis, audio mosaicing, symbolic mediation, physically inspired synthesis, and object-based spatialisation. The work approaches spatialisation as an active compositional process in which position, trajectory, depth, diffusion, width, and apparent size participate in musical phrasing and form. Through this practice-based framework, Resonance and Depth examines how performer identity can be retained, transformed, and redistributed across human, algorithmic, timbral, and spatial processes within an immersive co-creative performance ecology.

cs.SD↗

KunSet: A Corpus and Benchmark for Lyrics Alignment and Rhyme Retrieval in Kunqu Opera

Kunqu is one of the oldest extant forms of Chinese opera, yet its digitization remains scarce and difficult to annotate, with two challenges standing out: first, close analysis of Kunqu performance demands syllable-level lyrics alignment; second, analyzing Kunqu pronunciation requires its phonological attributes (e.g., rhyme) to be linked with each syllable. To address these challenges, we present KunSet, the first Kunqu performance corpus comprising 482,164 fine-grained annotations of syllable-level lyrics and phonological attributes in total media duration of 155.2 h with 106.3 h annotated. To ensure annotation quality, KunSet was preannotated by an iterative ML-assisted pipeline and corrected by over 200 trained annotators via a purpose-built online annotation system under a two-round review process. To assess KunSet as a music information retrieval (MIR) benchmark, we evaluate two tasks: lyrics alignment, by finetuning a forced-alignment model with an acoustic anchor decoder; and same-rhyme retrieval, using frozen Chinese HuBERT features. Models built with KunSet outperform their baselines. We release KunSet and model checkpoints to support MIR research on traditional-music corpora.

cs.SD↗