Search arXivSearch

arXiv · 2601.23066

Towards Explicit Acoustic Evidence Perception in Audio LLMs for Speech Deepfake Detection

Abstract

Speech deepfake detection (SDD) focuses on identifying whether a given speech signal is genuine or has been synthetically generated. Existing audio large language model (LLM)-based methods excel in content understanding; however, their predictions are often biased toward semantically correlated cues, which results in fine-grained acoustic artifacts being overlooked during the decisionmaking process. Consequently, fake speech with natural semantics can bypass detectors despite harboring subtle acoustic anomalies; this suggests that the challenge stems not from the absence of acoustic data, but from its inadequate accessibility when semantic-dominant reasoning prevails. To address this issue, we investigate SDD within the audio LLM paradigm and introduce SDD with Auditory Perception-enhanced Audio Large Language Model (SDD-APALLM), an acoustically enhanced framework designed to explicitly expose fine-grained time-frequency evidence as accessible acoustic cues. By combining raw audio with structured spectrograms, the proposed framework empowers audio LLMs to more effectively capture subtle acoustic inconsistencies without compromising their semantic understanding. Experimental results indicate consistent gains in detection accuracy and robustness, especially in cases where semantic cues are misleading. Further analysis reveals that these improvements stem from a coordinated utilization of semantic and acoustic information, as opposed to simple modality aggregation.

Explore related subjects

Keep this discovery

Explore connections, maps & timelines

BibTeXRIS

Xiaoxuan Guo, Yuankun Xie, Haonan Cheng, Jiayi Zhou, Jian Liu, Hengyan Huang, Long Ye, Qin Zhang. 2026-01-30. Towards Explicit Acoustic Evidence Perception in Audio LLMs for Speech Deepfake Detection. https://arxiv.org/abs/2601.23066

Cite the original work for its findings. Save a collection to share your selection of sources.

KEEP EXPLORING

Related papers

Text-only adaptation in LLM-based ASR through text denoising

Adapting large language model (LLM)-based automatic speech recognition (ASR) systems to new domains using text-only data is a significant yet underexplored challenge. Standard fine-tuning of the LLM on the target domain text often disrupts the critical alignment between the speech and text modality learned by the projector, degrading performance. We introduce a novel text-only adaptation method that frames this process as a text denoising task. Our approach trains the LLM to recover clean transcripts from noisy inputs. This process effectively adapts the model to a target domain while preserving cross-modal alignment. Our solution is lightweight, requiring no architectural changes or additional parameters. Extensive evaluation on two datasets demonstrates up to 22.1% relative improvement, outperforming recent state-of-the-art text-only adaptation methods.

cs.SD

Discrete vs. Continuous: A Comprehensive Study of Unified Audio Understanding in LALMs

Large Audio Language Models (LALMs) utilize either continuous features or discrete tokens, yet the optimal representation paradigm for general audio understanding remains debated. Existing benchmarks often focus on narrow domains or evaluate encoders outside LALM contexts. To address these gaps, we systematically evaluate continuous and discrete representations across speech, sound and music. Utilizing our UniARC framework with dual evaluation strategies across model scales from SmolLM2-135M to Llama-3-8B, we analyze the dynamic relationships of data volume, model capacity, and computational efficiency. Our results reveal the pivotal role of semantic constraints in tokenization for audio understanding and demonstrate that scaling backbones fail to compensate for information loss in audio representation, especially in data-limited tasks. These findings offer practical guidance for balancing semantic density, fidelity, and efficiency in future LALMs.

cs.SD

Synthesis and editing of multi-instrument audio mixtures using scalar-quantised latents with MIDI Span conditioning

Music creation often involves iterative refinement, changing selected musical details while retaining the rest. To support such refinement, we introduce SpanSynth-Edit, a flow-matching model for MIDI-guided synthesis and editing of multi-instrument audio mixtures using low-frame-rate scalar-quantised latents. MIDI Span encodes instrument-labelled note lifecycles as unordered event sets with continuous-valued attributes and pools each set into one conditioning vector per audio-latent frame. The model uses contextual audio for instrument-specific timbre guidance and supports editing by resynthesising the target region from revised MIDI. Experiments on single- and multi-instrument benchmarks show competitive performance and demonstrate within-frame onset control. We also discuss limitations of transcription-based note-adherence evaluation.

cs.SD